The Regulators

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Master storyteller Stephen King presents the classic, terrifying New York Times bestseller of those caught between the surreal forces of good versus evil in a small suburban Ohio town.

“The red van rolls past…humming and glinting. …Things are happening fast now, although no one on Poplar Street realizes it yet.”

It’s a gorgeous midsummer afternoon along Poplar Street in the peaceful suburbia of Wentwort, Ohio, where life is as pleasant as you ever dreamed it could be. But that’s all about to end in blaze of gunfire and sudden violence, forever shattering the tranquility and the good times here. For the physical makeup of Poplar Street itself is now being transformed into a surreal landscape straight out of the active imagination of the innocent and vulnerable Seth Garin—an autistic boy who’s been exposed to and possessed by a horrific, otherworldly force of evil, one with sadistic and murderous intent and who is willing to use whatever means necessary to grow ever stronger.
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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
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Additional Information

Publisher
Simon and Schuster
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Published on
Jan 1, 2016
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Pages
512
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ISBN
9781501141379
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Language
English
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Genres
Fiction / Fantasy / Paranormal
Fiction / Horror
Fiction / Thrillers / Supernatural
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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In this chilling first novel by filmmaker, composer, and graphic novelist Leopoldo Gout, a ghost story call-in program opens a doorway into the paranormal.

“Ghost Radio reminded me of early Stephen King. The story sticks with you long after you’ve finished the final page.” —James Patterson

From the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. More than a call-in show to tell scary stories about vampires and poltergeists, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next.

Joaquin, the hip, melancholy host, sits deep in a fog of cigarette smoke, fielding calls from believers and detractors alike. He is joined in the booth by his darkly beautiful girlfriend, Alondra, and his engineer, Watts. Soon what began as an underground cult sensation is primed to break out to mainstream audiences. When a huge radio conglomerate offers to syndicate the show and Ghost Radio becomes a national hit with an expanding legion of hardcore fans, neither Joaquin, Alondra, nor Watts is remotely prepared for what is about to happen.

When Joaquin notices a curious and troubling phenomenon, he is inexplicably drawn further and further into the terrifying stories he solicits on the radio. As he slowly loses control over his reality and finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio, he’s forced to confront his past and his own mortality in order to repair the crumbling wall between the living and the dead.

The Vampire Chronicles continue with Anne Rice’s spellbinding new novel, in which the great vampire Marius returns.

The golden-haired Marius, true Child of the Millennia, once mentor to The Vampire Lestat, always and forever the conscientious foe of the Evil Doer, reveals in his own intense yet inti-
mate voice the secrets of his two-thousand-year existence.

Once a proud Senator in Imperial Rome, kidnapped and made a “blood god” by the Druids, Marius becomes the embittered protector of Akasha and Enkil, Queen and King of the vampires, in whom the core of the supernatural race resides.

We follow him through his heartbreaking abandonment of the vampire Pandora. Through him we see the fall of pagan Rome to the Emperor Constantine and the horrific sack of the Eternal City itself at the hands of the Visigoths.

Bravely, Marius seeks a new civilization in the midst of glittering Constantinople, only to meet with the blood drinker Eudoxia. We see him ultimately returning to his beloved Italy, where after the horrors of the Black Death, he is restored by the beauty of the Renaissance. We see him become a painter living dangerously
yet happily among mortals, giving his heart to the great Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice Armand.

Moving from Rome to Florence, Venice, and Dresden, and to the English castle of the secret scholarly order of the Talamasca, the novel reaches its dramatic finale in our own time, deep in the jungle where Marius, having told his life story, seeks some measure of justice from the oldest vampires in the world.
Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.
In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.
In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.
In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives.
And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him.
Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.
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