Short Eyes: A Play

Sold by Hill and Wang
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Winner of the New York Drama Critics Circle Award

This powerful drama of prison life is set in a house of detention where a group of young convicts-predominantly black and Puerto Rican-taunt, fight, insult, and entertain one another in an attempt to preserve their sanity and to create a semblance of community. When a young white prisoner accused of child molesting is thrown into the cell block by a guard who says he belongs in Sing Sing because "the men up there konw what to do with degenerates like you," the stage is set for an explosive series of events; for, among prisoners, this child molester called "short eyes" is the lowest of criminals.

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About the author

Miguel Pinero, once a burglar, mugger, shoplifter, and drug addict, began writing when serving a five-year sentence in Sing Sing for armed robbery. He was discovered and encouraged by Marvin Felix Camillo, who conducted a drama workshop at the prison. Camillo's workshop grew into an acting company of ex-convicts called "The Family," members of which made up most of the cast in Joseph Papp's premiere production of Short Eyes in 1974. Mr. Pinero died in 1988.

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Additional Information

Publisher
Hill and Wang
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Published on
Apr 1, 2011
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Pages
144
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ISBN
9781429952217
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Features
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Language
English
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Genres
Drama / American / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Raúl R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal.

This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his spiritual, intellectual, and political metamorphosis. The book also offers an insider's view of the prison rebellion movement and its relation to the civil rights and anti-war movements of the 1960s and 1970s. The numerous letters between Salinas and his family, friends, and potential allies illustrate his burgeoning political awareness of the cause and conditions of his and his comrades' incarceration and their link to the larger political and historical web of social relations between dominant and subaltern groups. These collected pieces, as well as two interviews with Salinas—one conducted upon his release from prison in 1972, the second more than two decades later—reveal to readers the transformation of Salinas from a street hipster to a man seeking to be a part of something larger than himself. Louis Mendoza has painstakingly compiled a body of work that is autobiographical, politically insurgent, and representative.

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