Affective Images: Post-apartheid Documentary Perspectives

SUNY Press
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 Explores intervisual case studies in relation to migration, xenophobia, and gender.
Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, “white noise,” and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments.

“In its focus on lens-based media, the book not only tackles some of the questions around the visuality of migration and xenophobia, but also does so using the media (photography and film) that are probably the most complicit in the visual witnessing and translation within this field.” — Rory Bester, coeditor of Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life
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About the author

 Marietta Kesting is Junior Professor for Media Theory at the CX Centre for Interdisciplinary Studies at the Academy of Fine Arts, Munich, Germany.

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Additional Information

SUNY Press
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Published on
Dec 4, 2017
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Art / African
History / Africa / South / Republic of South Africa
Performing Arts / Film / History & Criticism
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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