En nuestros corazones éramos gigantes: La imposible historia real de siete enanos que sobrevivieron a los campos de concentración

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Este gran relato de la familia Ovitz compuesta por 7 enanos de 10 miembros, cuenta cómo fueron testigos de lo mejor y a su vez lo peor de la humanidad y de la terrible ironía del destino: ser enanos fue lo que hizo que sobrevivieran al holocausto. Antes de la segunda guerra eran simplemente una familia exitosa de artistas intérpretes populares en Europa Central, hasta que los Nazis los deportaron a Auschwitz en 1944.

Gracias a su enanismo se convirtieron en objetos de estudio del Dr. Mengele y, aunque estuvieron expuestos a los más atroces experimentos, a su vez esto les permitió salvar sus vidas. Como Dice Perla en su relato: “Me salvó el diablo y que Dios se haga cargo de él”. La maravillosa historia de los enanos de Auschwitz, mejor conocidos como La troupe de Lilliput está contada en una narración literaria perfectamente equilibrada con datos históricos y una entrevista a la menor de las enanas, Perla, quien murió en 2001 no sin antes dejar este brillante testimonio que mezcla las emociones a la perfección y el lector puede sentir que está sentado a su lado escuchando esta increíble historia de éxito y supervivencia de estos enanos.
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Crítica Colombia
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Sep 8, 2017
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Literary Criticism / General
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A panoramic portrait of a remarkable woman and the tumultuous Victorian era on which she made her mark, The First Lady of Fleet Street chronicles the meteoric rise and tragic fall of Rachel Beer—indomitable heiress, social crusader, and newspaper pioneer.

Rich with period detail and drawing on a wealth of original material, this sweeping work of never-before-told history recounts the ascent of two of London’s most prominent Jewish immigrant families—the Sassoons and the Beers. Born into one, Rachel married into the other, wedding newspaper proprietor Frederick Beer, the sole heir to his father’s enormous fortune. Though she and Frederick became leading London socialites, Rachel was ambitious and unwilling to settle for a comfortable, idle life. She used her husband’s platform to assume the editorship of not one but two venerable Sunday newspapers—the Sunday Times and The Observer—a stunning accomplishment at a time when women were denied the vote and allowed little access to education. Ninety years would pass before another woman would take the helm of a major newspaper on either side of the Atlantic.

It was an exhilarating period in London’s history—fortunes were being amassed (and squandered), masterpieces were being created, and new technologies were revolutionizing daily life. But with scant access to politicians and press circles, most female journalists were restricted to issuing fashion reports and dispatches from the social whirl. Rachel refused to limit herself or her beliefs. In the pages of her newspapers, she opined on Whitehall politics and British imperial adventures abroad, campaigned for women’s causes, and doggedly pursued the evidence that would exonerate an unjustly accused French military officer in the so-called Dreyfus Affair. But even as she successfully blazed a trail in her professional life, Rachel’s personal travails were the stuff of tragedy. Her marriage to Frederick drove an insurmountable wedge between herself and her conservative family. Ultimately, she was forced to retreat from public life entirely, living out the rest of her days in stately isolation.

While the men of her era may have grabbed more headlines, Rachel Beer remains a pivotal figure in the annals of journalism—and the long march toward equality between the sexes. With The First Lady of Fleet Street, she finally gets the front page treatment she deserves.
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