The Counterfeit Heiress

Lady Emily Mysteries

Book 9
Sold by Minotaur Books
12
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In Tasha Alexander's novel The Counterfeit Heiress, after an odd encounter at a grand masquerade ball, Lady Emily becomes embroiled in the murder investigation of one of the guests, a sometime actress trying to pass herself off as the mysterious heiress and world traveler Estella Lamar. Each small discovery, however, leads to more questions. Was the intended victim Miss Lamar or the imposter? And who would want either of them dead?

As Emily and Colin try to make sense of all this, a larger puzzle begins to emerge: No one has actually seen Estella Lamar in years, since her only contact has been through letters and the occasional blurry news photograph. Is she even alive? Emily and Colin's investigation of this double mystery takes them from London to Paris, where, along with their friend Cécile, they must scour the darkest corners of the city in search of the truth.

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About the author

Tasha Alexander is the author of the Lady Emily novels, a series of historical suspense, including Tears of Pearl and Dangerous to Know. She attended the University of Notre Dame, where she signed on as an English major in order to have a legitimate excuse for spending all her time reading. She and her husband, novelist Andrew Grant, divide their time between Chicago and the UK.

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Additional Information

Publisher
Minotaur Books
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Published on
Oct 14, 2014
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Pages
304
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ISBN
9781250024688
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Features
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Language
English
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Genres
Fiction / Mystery & Detective / Amateur Sleuth
Fiction / Mystery & Detective / Historical
Fiction / Mystery & Detective / Women Sleuths
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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Four years after she set sail from England, leaving everything she most loved behind, Maisie Dobbs at last returns, only to find herself in a dangerous place . . .  

In Jacqueline Winspear‘s  powerful story of political intrigue and personal tragedy, a brutal murder in the British garrison town of Gibraltar leads Maisie into a web of lies, deceit, and peril.

Spring 1937. In the four years since she left England, Maisie Dobbs has experienced love, contentment, stability—and the deepest tragedy a woman can endure. Now, all she wants is the peace she believes she might find by returning to India. But her sojourn in the hills of Darjeeling is cut short when her stepmother summons her home to England; her aging father Frankie Dobbs is not getting any younger.

But on a ship bound for England, Maisie realizes she isn’t ready to return. Against the wishes of the captain who warns her, “You will be alone in a most dangerous place,” she disembarks in Gibraltar. Though she is on her own, Maisie is far from alone: the British garrison town is teeming with refugees fleeing a brutal civil war across the border in Spain.

Yet the danger is very real. Days after Maisie’s arrival, a photographer and member of Gibraltar’s Sephardic Jewish community, Sebastian Babayoff, is murdered, and Maisie becomes entangled in the case, drawing the attention of the British Secret Service. Under the suspicious eye of a British agent, Maisie is pulled deeper into political intrigue on “the Rock”—arguably Britain’s most important strategic territory—and renews an uneasy acquaintance in the process. At a crossroads between her past and her future, Maisie must choose a direction, knowing that England is, for her, an equally dangerous place, but in quite a different way.

From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder

And Only to Deceive

For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.

Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

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