Later, when he started Buffalo Springfield with Neil Young and Stephen Stills, it seemed Furay’s destiny had finally arrived. Although the band recorded only three albums, it remains a touchstone of sixties rock music–with all five band members now enshrined in the Rock and Roll Hall of Fame.
Furay remained a musical pioneer, forming Poco and recording some of the first–and best–country rock music of the sixties and seventies. His work was a major influence on the Eagles and innumerable other bands. But he still had not found his destiny.
It wasn’t until his marriage almost disintegrated that Furay confronted his need for God. After co-founding two legendary bands and recording with a rock super-group, Richie Furay finally found his destiny. The long journey took him from sold-out arena concerts to the pulpit of a Colorado church, from rock royalty to the Rock of Ages.
Destiny is often found in the places where we’re not looking. As you follow the twists and turns in Richie Furay’s inspiring journey, you’ll gain fresh insight into your own.
This copiously illustrated account of the trio's personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L.A.'s storied Laurel Canyon; from their addition of Neil Young to Woodstock; and through their stormy years of creative conflicts, reunions, and reconciliations.
This edition celebrates the trio's 40th anniversary and includes over 300 photos.
As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. Parson hung out with glamorous women and the coolest friends. His intimates and collaborators on his journey included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, Clarence White, and Emmylou Harris. Parsons had everything–looks, charisma, money, style, the best drugs, the most heartbreaking voice–and threw it all away with both hands. His ballad is one of gigantic talent colliding with epic self-destruction.
Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo. He formed the Flying Burrito Brothers, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Four months before Grievous Angel was released, Parsons died of a drug and alcohol overdose at age twenty-six.
In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From Parsons’ privileged Southern Gothic upbringing to his early career in Greenwich Village’s folk music scene to his Sunset Strip glory days, Twenty Thousand Roads paints an unprecedented portrait of the man who linked country to rock. Parsons’ creative genius gave birth to a new sound that was rooted in the past but heralded the future.
From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era. Shedding new light and dispelling old myths, Twenty Thousand Roads is a breakthrough in rock-and-roll biography and more–a chronicle of creativity, drugs, excess, culture, and music in the ferment of late-1960s America.
Visit the official website: www.twentythousandroads.com
From the Hardcover edition.
Much has been written about him by experts, fans, and critics, some of it true and some of it not. He did, however, leave his own account of himself, locked away like a Chinese puzzle in his many interviews, lyrics, writings, poems, diaries, and even stage raps. Starting at Zero brings all these elements together in narrative form. The result is an intimate, funny, and poetic memoir-one that tells, for the first time, Jimi's own story as only he could tell it.
Constructed as an oral history, the book includes original interviews with Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss, as well as with producers; engineers; management; record company personnel; roadies; club owners; booking agents; concert promoters; costume, stage, and art designers; rock photographers; publicists; and key music journalists.
Many of KISS's musical contemporaries from the time, most of whom shared concert bills with the band on their early tours, also lend their perspective via new interviews; these include Bob Seger, Alice Cooper, and Ted Nugent, as well as members of Aerosmith, Black Sabbath, Rush, Slade, Blue Öyster Cult, Mott the Hoople, Journey, REO Speedwagon, Styx, Raspberries, The James Gang, The New York Dolls, Iggy & the Stooges, The Ramones, Suzi Quatro, Argent, and Uriah Heep, among others.
The result is an indelible and irresistible portrait of a band on the rise and of the music scene they changed forever.
Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music.