In exploring different literary forms and orientations of the autobiographies, the work remains constantly attuned to the physical body, a focus generally absent from literary criticism and philosophy or study of leading historical personages, with the exception of patches within phenomenological philosophy and feminism. The book delves into how the authors treated here deal with the flesh through their autobiographical writing and in what way they embody the essential relationship between flesh, spirit and word. It analyses some seminal texts such as Ecce Homo, The Story of My Experiments with Truth, Waiting for a Visa, I Know Why the Caged Bird Sings, A Moveable Feast, Night, Baluta, My Story, Sun and Steel, The Philosophy of Andy Warhol, MAUS and Persepolis.
Lucid, bold and authoritative, this book will be of great interest to scholars and researchers of philosophy, literature, gender studies, political philosophy, media and popular culture, social exclusion, and race and discrimination studies.
The chapters, written by an outstanding roster of international scholars, address a range of complex philosophical issues concerning the relationship between practical and metaphysical identity, the embodied dimensions of the first-personal perspective, the kind of reflexive agency involved in the self-constitution of one's practical identity, the relationship between practical identity and normativity, and the temporal dimensions of identity and selfhood. In addressing these issues, contributors engage with debates in the literatures on personal identity, phenomenology, moral psychology, action theory, normative ethical theory, and feminist philosophy.