Elizabeth Clark-Stern is a psychotherapist in private practice in Seattle, Washington. Before embracing this beloved work, she worked as a professional writer and actor. Her produced plays and teleplays include, 'All I Could See From Where I Stood', 'Help Wanted', and 'Nana Sophia's Oasis'. 'Out of the Shadows' began as an independent study at Antioch University. Revised some years later, the International Association of Analytical Psychologists invited the original production to be performed at the International Jungian Congress in South Africa in 2007.
Redefining age-old concepts of masculinity, Jungian analysts Robert Moore and Douglas Gillette make the argument that mature masculinity is not abusive or domineering, but generative, creative, and empowering of the self and others. Moore and Gillette clearly define the four mature male archetypes that stand out through myth and literature across history: the king (the energy of just and creative ordering), the warrior (the energy of aggressive but nonviolent action), the magician (the energy of initiation and transformation), and the lover (the energy that connects one to others and the world), as well as the four immature patterns that interfere with masculine potential (divine child, oedipal child, trickster and hero). King, Warrior, Magician, Lover is an exploratory journey that will help men and women reimagine and deepen their understanding of the masculine psyche.
Soul Stories explores two worlds: the world we know with our feelings and senses--sight, scent, touch, belonging, joy, loss, renewal--and the parallel world of dreams, intuition, imagination, and the dimension of the unknown. Together these realms inform, shape, challenge, and nurture the soul.
Safari to Mara finds our heroine on the brink of womanhood in Masai society. The only daughter in a sonless family, she is drafted to do work in the modern world, yet tradition calls her to prepare for initiation as a wife. In the wilderness of her namesake, Kenya’s Masai Mara, she finds an improbable guide who leads her into the mysterious recesses of her awakening heart.
Aria of the Horned Toad begins with the dream of a horned toad crawling out of Beatrice’s eyes,“so real I could feel his prickly little feet on my nose.” And so begins an odyssey to the source of all dreaming. Beatrice believes that in this dark and luminous place, she can find someone to fashion a dream to fix her Mama’s terrible ways, and soothe the longing in her own wild spirit.