As the word-furious eye and voice of these poems, Romey urgently records--and tries to order--the objects, inscape, injuries, and idiom of his "blood-home" and childhood world. Sounding out the nerves and nodes of language to transform "every burn-mark and blemish," to “bind our river-wrack and leavings," Romey seeks to forge finally (if even for a moment) a chord in which he might live. Intently visceral, aural, oral, Atsuro Riley's poems bristle with musical and imaginative pleasures, with story-telling and picture-making of a new and wholly unexpected kind.
Atsuro Riley was brought up in the South Carolina lowcountry. His work has appeared in Poetry, The Threepenny Review, and TheMcSweeney’s Book of Poets Picking Poets. He has been awarded the Pushcart Prize and the Wood Prize from Poetry magazine.