Queering the Popular Pitch

Routledge
Free sample

Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces.

The collection is divided into four parts:
queering borders

queer spaces

hidden histories

queer thoughts, mixed media.

Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.

Read more
Collapse

About the author

Sheila Whiteley is Chair of Popular Music at the University of Salford. She is the author of Sexing the Groove: Popular Music and Gender ,Women and Popular Music : Sexuality, Identity and Subjectivity and Too Much Too Young: Popular Music, Age and Identity all published by Routledge.
Jennifer Rycenga is Coordinator of Women's Studies at San Jose State University in California. She coedited Frontline Feminisms: Women, War, and Resistance with Marguerite Waller (Garland 2001). She has written for repurcussions, The Encyclopedia of Women and World Religion, The Garland Encyclopedia of World Music and The Encyclopedia of Popular Music of the World..
Read more
Collapse
Loading...

Additional Information

Publisher
Routledge
Read more
Collapse
Published on
Jan 11, 2013
Read more
Collapse
Pages
328
Read more
Collapse
ISBN
9781136093708
Read more
Collapse
Read more
Collapse
Best For
Read more
Collapse
Language
English
Read more
Collapse
Genres
Music / General
Music / Genres & Styles / Pop Vocal
Read more
Collapse
Content Protection
This content is DRM protected.
Read more
Collapse
Eligible for Family Library

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise.
An intimate memoir of the flamboyant Queen singer by the man who knew him best.

Peter Freestone was Freddie Mercury’s Personal Assistant for the last 12 years of his life. He lived with Mercury in London, Munich and New York, and he was with him when he died.
In this book, the most intimate account of Mercury’s life ever written, he reveals the truth behind the scandalous rumours, the outrageous lifestyle and Mercury’s relationships with men, women and the other members of Queen.
From the famous names – including Elton John, Kenny Everett, Elizabeth Taylor and Rod Stewart – to the shadowy army of lovers, fixers and hangers-on, Peter Freestone saw them all play their part in the tragi-comedy that was Freddie Mercury’s life.
Freestone lived with Mercury in Europe and America for over a decade. From the East 50s apartment in New York to Kensington Lodge, the house in London where Mercury died – not to mention innumerable international hotel rooms and apartments in between – Freestone was always on hand to serve and protect the man he had first met in the Biba department store in the early 1970s. Then Queen was a largely unknown band. Soon it would be the most glitzy of glam rock bands. Freestone saw the fame arrive and with it the generosity, the excess, and the celebrity friends who came and went.
“I was chief cook and bottle washer, waiter, butler, valet, secretary, amanuensis, cleaner, baby-sitter… and agony aunt,” he writes. “I shopped for him both at supermarkets and art markets, I travelled the world with him, I was with him at the highs and came through the lows with him. I saw the creative juices flow and I also saw the frustration when life wasn’t going well. I acted as his bodyguard when needed and in the end, of course, I was one of his nurses.”
Freestone’s bet-selling account of a talented and extravagant star’s life and death is compelling, entertaining and ultimately, very touching.
Illustrated with many photos from personal and Freestone’s own archives.
Press Reviews“An entertaining and thought provoking read” – PRS for Music Sales
“This collection of Freddie’s own words is the closest thing there is to an autobiography of a man with no regrets. The foreword is written by his mother” – reFRESH magazine, Leading Gay mag in the UK


BTS is the breakthrough K-pop band. For the first time, this unofficial biography tells the story of the Korean boy band with a global army of fans, who have propelled their heroes to the top of the charts all over the world.

Seven good-looking boys - RM, Jin, Suga, J-Hope, Jimin, V and Jungkook - who can dance as well as they can rap and sing, are tearing up the global music charts. Nothing new? Think again. BTS, who rose to fame in their native South Korea in 2013 and who sing almost entirely in Korean, are now a sensation in the US, the UK and the rest of the world.

K-pop is a growing phenomenon in the West, and over the last few years, it has steadily gathered a huge global following. With their talent, dedication, good looks, fabulous choreography, and catchy blend of pop, hip hop and RnB, BTS are leading the advance.

- BTS's latest album 'Love Yourself: Tear' went straight to #1 in the US charts - the first ever Korean album to achieve this
- They were recently profiled in US Vogue - the first K-pop band to be granted such an honour
- The music video for their recent single 'Fake Love' got 36 million views on YouTube within 24 hours of release, and hit 100 million views in 8 days
- The music video for 'MIC Drop (Steve Aoki Remix)' has had over 262 million views on YouTube since December 2017
- They won the 2018 Billboard Music Award for 'Top Social Artist' for the second year in a row
- Listed by Forbes as the most retweeted artist on Twitter in March 2016 - and their fanbase has ballooned since then
- Named in Time magazine's 'Top 25 Most Influential People on the Internet 2017' list
- The boys recently announced a World Tour for 2018, which sold out in minutes

Extensively researched, and written in an upbeat and accessible style, this book interweaves the success stories of each of the boys with how the band got together, while documenting their amazing rise to fame in Southeast Asia, and then the world. It includes 16 pages of full colour photographs of the band playing live, posing and having fun.

©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.