In his self-described ‘arsons’, Lista assesses with equal fire our literary darlings (Anne Carson, Don McKay), talented veterans (Steven Heighton, David McGimpsey) and promising newcomers (Stevie Howell, Aisha Sasha John) of the poetic genre. He depicts a literary institution pathologically averse to the sustenance of a traditional repertoire and addicted to the empty calories of poetic experiments. Television, too, falls prey to his jaundiced eye, from the militant sincerity of The Bachelorette to the receptacle of American anxieties that is The Walking Dead. But beyond passing judgment on the contemporary Literary Industrial Complex, Strike Anywhere acknowledges the inherent contradiction of poetic expression—that its power lies in its uselessness—and recognizes that poets are, nonetheless, the happy few, the unacknowledged legislators of the world.
With thoughtfulness, wit and considerable humor, Michael Lista offers a refreshingly candid take on the moral and aesthetic implications of storytelling in all its forms, from boob-tube blockbusters to the latest volume of verse.
Michael Lista is an acclaimed poet, editor, critic, and non-fiction writer. He is the author of two collections of poetry: Bloom (House of Anansi, 2010) and The Scarborough (Signal Editions, 2014). He served as poetry editor of The Walrus and as poetry columnist for The National Post. His non-fiction appears in The Atlantic, Slate, The Walrus and Toronto Life. Lista is the co-founder of Partisan Magazine. He lives in Toronto.
A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.