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This witty, odd, and fascinating book is filled with diverse anecdotes about the silent language of gesture, the game of love, the spinning of balls, superstitions relating to the severed fingers of thieves, and systems of computation that were used on wharves and in shops, markets, granaries, and warehouses throughout the ancient Roman world. Side by side with historical discussions of rings and gloves and nail polish are meditations on the finger's essential role in writing, speech, sports, crime, law, sex, worhsip, memory, scratching politely at eighteenth-century French doors (instead of crudely knocking), or merely satisfying an itch—and, of course, in the eponymous show of contempt.
Thirteen parties over the course of two decades-an opium infused barbeque, a reception for a doomed presidential candidate, a fund-raiser for a blind child who speaks in tongues, a visit to one of New York’s fabled sex clubs-brilliantly reveal the lives of two couples, one hoping to be admitted to the kingdom of Art, the other hoping for a small share of the American dream, both driven by forces of history they rarely perceive or acknowledge.
Thaddeus Kaufman, the son of booksellers, and Grace Cornell, raised in a basement apartment she longs to escape, meet at a neighborhood art fair in Chicago. Soon after, they head to New York, aloft on the wings of young love. Jennings Stratton, the son of a caretaker, and Muriel Sanchez, the daughter of a cop, meet in a house he is refurbishing in New Mexico, and they, too, head for the big city.
In a vast Hudson River estate, the lives of the two couples ultimately intertwine. Thaddeus has made it big in an unexpected way, setting off a chain reaction of envy among his friends and peers and forever changing the dynamic of his marriage with Grace, for whom success has been elusive, and art, once a source of solace, has become a font of bitterness. And Jennings, hoping to transcend his reputation as the local Casanova, a man suited only for menial tasks, has ventured into a cycle of theft and betrayal that threatens to destroy the fragile life of his family.
Funny and cutting, affecting and expansive, River Under the Road is Scott Spencer’s masterpiece of all that lies beneath our everyday lives-a story about the pursuit of love, art, and money, and the inevitable reckoning that awaits us all.
From two-time National Book Award finalist Scott Spencer comes a startling tour de force that explores the limits of male restraint, the intoxications of privilege, and the maddening dangers of freedom.
Scott Spencer, the acclaimed author of Endless Love and A Ship Made of Paper, reaffirms his storytelling mastery with Man in the Woods—a gripping psychological thriller about a carpenter at loose ends and the crime of passion that radically reorders his world. Rudy Wurlitzer lauds Man in the Woods as a stunning work that offers “heartbreaking insights into the dark frailties of human nature,” and which he calls, “a page turner from beginning to end.” And New York Times bestselling author Francine Prose hails its achievement, writing, “In this brilliant novel, Scott Spencer further expands his range.”
Introduces literary, historical, and theological issues of Luke and Acts.
Biblical texts create worlds of meaning, and invite readers to enter them. When readers enter such textual worlds, which are often strange and complex, they are confronted with theological claims. With this in mind, the purpose of the Interpreting Biblical Texts series is to help serious readers in their experience of reading and interpreting by providing guides for their journeys into textual worlds. The controlling perspective is expressed in the operative word of the title--interpreting. The primary focus of the series is not so much on the world behind the texts or out of which the texts have arisen as on the worlds created by the texts in their engagement with readers.
In keeping with the goals of the series, this volume provides an introductory guide to readers of the New Testament books of Luke and Acts. It focuses on both the synchronic and diachronic dimensions of the literature in an effort to acquaint readers with literary, historical, and theological issues that will facilitate interpretation of these important books.
F. Scott Spencer is Professor of New Testament at Baptist Theological Seminary at Richmond.