This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of social knowledge. A central topic of discussion is the different practices and sites of exhibition of the Tree of Life sculpture in Britain and in Mozambique, in an endeavour to illustrate/establish the differences which determine and/or condition the specific approaches used in the two distinct cultural contexts within which it was exhibited.
The discussion evolves towards exploring how a new discourse on the exhibition of contemporary African art questions and challenges both curatorial practices and cultural concepts of collecting, displaying and interpreting art objects and negotiating meaning.
She has taught Culture Studies and English at several institutions of higher education and has published articles within the fields of the Teaching of English as a Foreign Language at University Level, Multicultural Studies, Cultural Studies and Visual Culture. She has been a member of several institutional organs within the Universities in which she has worked, and participated in a number of International Conferences and Congresses.