A Two-Voice Fugue

Yavruhrat Publishing
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“Sometimes I succumb to long sentences. This is it: when I – innocently new to all-devouring classical music world and cowardly naked to any independent opinion on it – ardently asked a once acquaintance of mine, a professional musician (still cannot figure out where exactly that professionalism lied in her), to interpret the psychological intention behind the delay in a measure of a Rachmaninoff prelude (I did not know the word “rubato” then), she said: “God, what will you ever understand? If I said [put here abundant professional terminology to terrify any novitiate away to deserts or to open space, depending how easy you are to scare], would you get it? Would that make any sense or difference to you?” Well yes. It would. It always has. And it always will. Classical music is nobody’s property, it does not rightlessly belong to anybody, to those professionals – first of all. It does not belong to everybody either. It belongs to each and every eager heart out there thirsty for the most accessible form of the Truth this world has ever seen and will ever know. It belongs individually. Equally. With nil discrimination.”
Araks Shahinyan
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About the author

Born in a city 29 years older than Rome, Araks Shahinyan is a fortunate graduate with excellence from two higher educational institutions, namely Yerevan State Linguistic University after V. Brusov, English and Spanish languages (BA, 2005-2009) and American University of Armenia, School of Political Sciences and International Affairs (MA, 2010-2012). Further studies include The American Institute of Political and Economic systems at Charles University, Prague (TFAS International study abroad program, July 2012). As a perpetual enthusiast of vast interests, Araks has participated in a number of international conferences throughout her studies writing research papers and presenting topics from fine arts to literature, from classical music to political science and international affairs. Her engagement in arts and confidence of the latter being the best means of peaceful dialogue, equal acceptance, and intercultural communication brought her to the organization of a classical music night at Akian Art Center, American University of Armenia – the first ever concert held in the newly built university hall. This event marked the beautiful start for further analogous classical music performances in the university. She currently runs her Armenian language blog “Bagatelles” on the philosophy and aesthetics of classical music aiming to increase the awareness of the importance of high art in the public consciousness.
Being well-informed of the academic short biography writing criteria and rules, Araks finds it inevitable to bend some of them for creative short biography writing purposes. Hence, several points (we shall call milestones for personal and artistic growth) without which her already concise biography could never meet its relative completion:

Favorite female writers: Marguerite Yourcenar, Susan Sontag, Gabriela Mistral, Forugh Farrokhzad

Recent musical shock: Alfred Schnittke: Concerto for a mixed chorus on the poems by Gregory of Narek (951-1003)

Few of her favorite music interpreters: Rosalyn Tureck, Sergey Khachatryan, Rinaldo Alessandrini, Arturo Benedetti Michelangeli, Carlos Kleiber, Sergiu Celibidache

Three of her favorite painters: Élisabeth Vigée Le Brun, Albrecht Dürer, Michelangelo

Life motto: Never to have one.

Huge fan of: Silence
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Additional Information

Publisher
Yavruhrat Publishing
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Published on
May 3, 2015
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Pages
305
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ISBN
9789939013510
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Language
English
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Genres
Art / General
Fiction / General
Music / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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One of the Ten Best Books of The New York Times Book Review
Winner of the Los Angeles Times Book Prize
Soon to be a miniseries from Hulu starring James Franco

ON NOVEMBER 22, 1963, THREE SHOTS RANG OUT IN DALLAS, PRESIDENT KENNEDY DIED, AND THE WORLD CHANGED. WHAT IF YOU COULD CHANGE IT BACK?

In this brilliantly conceived tour de force, Stephen King—who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer—takes readers on an incredible journey into the past and the possibility of altering it.

It begins with Jake Epping, a thirty-five-year-old English teacher in Lisbon Falls, Maine, who makes extra money teaching GED classes. He asks his students to write about an event that changed their lives, and one essay blows him away—a gruesome, harrowing story about the night more than fifty years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a sledgehammer. Reading the essay is a watershed moment for Jake, his life—like Harry’s, like America’s in 1963—turning on a dime. Not much later his friend Al, who owns the local diner, divulges a secret: his storeroom is a portal to the past, a particular day in 1958. And Al enlists Jake to take over the mission that has become his obsession—to prevent the Kennedy assassination.

So begins Jake’s new life as George Amberson, in a different world of Ike and JFK and Elvis, of big American cars and sock hops and cigarette smoke everywhere. From the dank little city of Derry, Maine (where there’s Dunning business to conduct), to the warmhearted small town of Jodie, Texas, where Jake falls dangerously in love, every turn is leading eventually, of course, to a troubled loner named Lee Harvey Oswald and to Dallas, where the past becomes heart-stoppingly suspenseful, and where history might not be history anymore. Time-travel has never been so believable. Or so terrifying.
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