Mauro Carbone is Professor of Aesthetics at the University of Lyon III, France. He is the author of several books, including The Thinking of the Sensible: Merleau-Pontys A-Philosophy.
Niall Keane is a postdoctoral researcher at the Husserl-Archives: Centre for Phenomenology in Leuven, Belgium.
Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world.
A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics.
Cover Image: Bronze Bowl with Lace, Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.
Thrown in prison for a crime he has not committed Edmond Dantès spends fourteen bitter years imprisoned in the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsive for his incarceration. No longer the naïve sailor who disappeared into the dungeon all those years ago, he reinvents himself as the charming, mysterious and powerful Count of Monte Cristo. Inspired by a real-life case of wrongful imprisonment, The Count of Monte Cristo was a huge popular success when it was first serialized in the 1840s, and has been a fixture of western literature ever since, the subject of countless film and TV adaptations.
Robin Buss' lively translation is complete and unabridged, and remains faithful to the style of Dumas' original. This edition also includes an introduction, explanatory notes, a new chronology and updated suggestions for further reading.
'What makes The Count Of Monte Cristo such a superior story is that revenge is not the only emotion driving the plot ... it is an almost perfect story - also in the mix are love, friendship, jealousy, faith, education, snobbery and class' Sunday Express