Welcome to Riverstones City. A sprawling squalor. A grim tangle rife with violence, drug trafficking, larceny, prostitution, corruption. The rich reside in apathy above the poor. The police and the politicians make their fortunes by gazing the other way.
The most notorious district of this city is Forest Heights. Home to the hopeless. The neglected. The crazy. The divine and the demonic. But mostly the demonic… Twisted souls, making parasitical livings through theft, fear and threat. Here, crime is rife. Crime is customary. Crime is consuming. Here, crime is life.
A streetwise, book-smart 12-year-old girl they call Red is quietly traversing the urban guts of this city in a scorching summer evening. Nerves are high. Tensions simmering. And when a beastly, brutal rival of her incarcerated father hunts her down, Red must act fast to survive the night.
Red is an innovative neo-noir short sculpted from powerful storytelling loaded with smart twists and cutting-edge use of language bursting with audacious imagery. Red also features the return of ‘Stones-Speak’, the radical style of dialogue British writer Khalid Patel first showcased in his debut novel, Hollow Shotguns.
A sharp, dark echo of a legendary yarn, Red is an utterly unique, intoxicating thrill ride… with possibly one of the coolest female characters ever committed to ink.
“S’matter? …… You a-scared?”
A story about the destabilising nature of love. A scrutiny of society and life through the lens of death. An absorbing, unsettling portrait of a fractured psyche. A beautiful yet haunting subversion of the romance genre.
Dr Craine’s Body follows a gifted yet deeply unorthodox medical examiner as he battles with his unrequited feelings for a colleague, feelings that burn so fiercely they threaten to destroy his very being.
Constructed through innovative storytelling and jolting plot developments, British writer Khalid Patel skilfully blends beauty and horror in Dr Craine’s Body to produce a stark short that defies convention and arrests throughout.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
Shadow dreamed of nothing but leaving prison and starting a new life. But the day before his release, his wife and best friend are killed in an accident. On the plane home to the funeral, he meets Mr. Wednesday—a beguiling stranger who seems to know everything about him. A trickster and rogue, Mr. Wednesday offers Shadow a job as his bodyguard. With nowhere left to go, Shadow accepts, and soon learns that his role in Mr. Wednesday’s schemes will be far more dangerous and dark than he could have ever imagined. For beneath the placid surface of everyday life a war is being fought —and the prize is the very soul of America.