The World in the Evening: A Novel

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A deeply introspective book about war, religion, and sexuality

Against the backdrop of World War II, The World in the Evening charts the emotional development of Stephen Monk, an aimless Englishman living in California. After his second marriage suddenly ends, Stephen finds himself living with a relative in a small Pennsylvania Quaker town, haunted by memories of his prewar affair with a younger man during a visit to the Canary Islands. The world traveler comes to a gradual understanding of himself and of his newly adopted homeland.
When first published in 1953, The World in the Evening was notable for its clear-eyed depiction of European and American mores, sexuality, and religion. Today, readers herald Christopher Isherwood's frank portrayal of bisexuality and his early appreciation of low and high camp.

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About the author

Christopher Isherwood (1904–1986) was born outside Manchester, England. He lived in Berlin from 1929 to 1933 and emigrated from Europe to the United States in 1939. A major figure in twentieth-century fiction and the gay rights movement, he wrote more than twenty books, including A Single Man and Goodbye to Berlin.
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3.5
2 total
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Additional Information

Publisher
Farrar, Straus and Giroux
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Published on
Nov 19, 2013
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Pages
312
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ISBN
9780374711061
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Features
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Language
English
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Genres
Fiction / LGBT / Gay
Fiction / Literary
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Told with the storytelling power and emotional fidelity of Wally Lamb, this is a searing drama of a modern American family on the brink of dissolution, one that explores adoption, gay marriage, and love lost and found.

For years, Matthew Greene and Daniel Rosen have enjoyed a quiet domestic life together in Northampton, Massachusetts. Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel’s twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed.

In dealing with their families and the need to make a decision about who will raise the deceased couple’s two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew’s place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel’s questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children—six-year-old Gal, and baby Noam.

The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment—or love? 

In Julia Glass's fifth book since her acclaimed novel Three Junes won the National Book Award, she gives us the story of an unusual bond between a world-famous writer and his assistant—a richly plotted novel of friendship and love, artistic ambition, the perils of celebrity, and the power of an unexpected legacy.

When the revered children's book author Mort Lear dies accidentally at his Connecticut home, he leaves his property and all its contents to his trusted assistant, Tomasina Daulair, who is moved by his generosity but dismayed by the complicated and defiant directives in his will. Tommy knew Morty for more than four decades, since meeting him in a Manhattan playground when she was twelve and he was working on sketches for the book that would make him a star. By the end of his increasingly reclusive life, she found herself living in his house as confidante and helpmeet, witness not just to his daily routines but to the emotional fallout of his strange boyhood and his volatile relationship with a lover who died of AIDS. Now Tommy must try to honor Morty's last wishes while grappling with their effects on several people, including Dani Daulair, her estranged brother; Meredith Galarza, the lonely, outraged museum curator to whom Lear once promised his artistic estate; and Nicholas Greene, the beguiling British actor cast to play Mort Lear in a movie.

When the actor arrives for the visit he had previously arranged with the man he is to portray, he and Tommy are compelled to look more closely at Morty's past and the consequences of the choices they now face, both separately and together. Morty, as it turns out, made a confession to Greene that undermines much of what Tommy believed she knew about her boss—and about herself. As she contemplates a future without him, her unlikely alliance with Greene—and the loyalty they share toward the man whose legacy they hold in their hands—will lead to surprising upheavals in their wider relationships, their careers, and even their search for love.
When Walter Stahl was five-years-old, his mother drove away in the family's blue Volvo and never came back. Now seventeen, living in the dregs of Las Vegas, taking care of his ailing father and marking time in a dead-end job along the Strip, Walter's life so far has been defined by her absence. He doesn't remember what she looks like; he's never so much as seen a photograph but, still, he looks for her among the groups of tourists he runs into every day, allowing himself the dim hope that she might still be out there, somewhere.

But when Walter meets Chrysto and Acacia, a brother and sister working as living statues at the Venetian Hotel, his world cracks wide open. With them he discovers a Las Vegas he never knew existed and, as feelings for Chrysto develop, a side of himself he never knew he had. At the same time, clues behind his mother's disappearance finally start to reveal themselves, and Walter is confronted with not only the truth about himself, but also that of his family history.


Threading through this coming-of-age story are beautiful, heart-wrenching graphic illustration, which reveal the journey of Walter's mother Emily: how she left everything to chase a vision of Liberace across the country; and how Walter's father Owen went searching for her amongst the gondolas of the Venetian Hotel.


In James Sie's debut novel, Still Life Las Vegas, the magical collides with the mundane; memory, sexual awakening and familial ties all lead to a place where everything is illuminated, and nothing is real.

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