Gilbert H. Muller is Professor Emeritus of English at the City University of New York. He is the author of Nightmares and Visions: Flannery OConnor and the Catholic Grotesque and New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction, and has also written critical biographies of the African American writers Chester Himes and John A. Williams. He lives in Port Washington, New Yorkclose to William Cullen Bryants estate, Cedarmere.
Fifty years after Evelyn Waugh’s death, here is a completely fresh view of one of the most gifted -- and fascinating -- writers of our time, the enigmatic author of Brideshead Revisited.
Graham Greene hailed Waugh as ‘the greatest novelist of my generation’, and in recent years his reputation has only grown. Now Philip Eade has delivered an authoritative and hugely entertaining biography that is full of new material, much of it sensational.
Eade builds upon the existing Waugh lore with access to a remarkable array of unpublished sources provided by Waugh’s grandson, including passionate love letters to Baby Jungman – the Holy Grail of Waugh research - a revealing memoir by Waugh’s first wife Evelyn Gardner (“Shevelyn”), and an equally significant autobiography by Waugh’s commanding officer in World War II.
Eade’s gripping narrative illuminates Waugh’s strained relationship with his sentimental father and blatantly favoured elder brother; his love affairs with male classmates at Oxford and female bright young things thereafter; his disastrous first marriage and subsequent conversion to Roman Catholicism; his insane wartime bravery; his drug-induced madness; his singular approach to marriage and fatherhood; his complex relationship with the aristocracy; the astonishing power of his wit; and the love, fear, and loathing that he variously inspired in others.
One of Eade’s aims is ‘to re-examine some of the distortions and misconceptions that have come to surround this famously complex and much mythologized character’.‘This might look like code for a plan to whitewash the overly blackwashed Waugh,’ comments veteran Waugh scholar Professor Donat Gallagher; ‘but readers fixated on atrocities will not be disappointed . . . I have been researching and writing about Waugh since 1963 and Eade time and again surprised and delighted me.’
Waugh was famously difficult and Eade brilliantly captures the myriad facets of his character even as he casts new light on the novels that have dazzled generations of readers.
Muller focuses on the literature of Holocaust survivors, Chicanos, Latinos, African Caribbeans, and Asian Americans. In the quest for a new identity, each of these groups seeks the American dream and rewrites the story of what it means to be an American. New Strangers in Paradise explores the psychology of uprooted peoples and the relations of culture and power, addressing issues of race and ethnicity, multiculturalism and pluralism, and national and international conflicts.
Examining the groups of immigrants in the cultural and historical context both of America and of the lands from which they originated, Muller argues that this "fourth wave" of immigration has led to a creative flowering in modern fiction. The book offers a fresh perspective on the writings of Vladimir Nabokov, Sual Bellow, William Styron, Maxine Hong Kingston, Amy Tan, Oscar Hijuelos, Jamaica Kincaid, Bharati Mukherjee, Rudolfo Anaya, and many others.