Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse.
At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
Nissen’s examination of the literature of the period brings to light a forgotten genre: the fiction of romantic friendship. Delving into works by Mark Twain, Henry James, William Dean Howells, and others, Nissen identifies the genre’s unique features and explores the connections between romantic friendships in literature and in real life. Situating love between men at the heart of Victorian culture, Nissen radically alters our understanding of the American literary canon. And with its deep insights into the emotional and intellectual life of the period, Manly Love also offers a fresh perspective on nineteenth-century America’s attitudes toward love, friendship, marriage, and sex.