Performing Site-Specific Theatre: Politics, Place, Practice

Springer
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This book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences it
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About the author

BRUCE BARTON Creator/scholar teaching at the University of Toronto, Canada SUSAN BENNETT University Professor in the Department of English, University of Calgary, Canada JANE COLLINS Professor of Theatre and Performance, Wimbledon College of Art, University of the Arts, London, UK LESLEY FERRIS Arts and Humanities Distinguished Professor of Theatre, Ohio State University, USA SUSAN HAEDICKE Associate Professor, School of Theatre, Performance, and Cultural Policy Studies, University of Warwick, UK HELEN IBALL Lecturer in Theatre Studies, University of Leeds, UK KATHLEEN IRWIN Head of the Theatre Department, University of Regina, Canada MICHAEL MCKINNIE Senior Lecturer in Drama, Queen Mary, University of London, UK SOPHIE NIELD Department of Drama and Theatre, Royal Holloway, University of London, UK LOUISE OWEN Lecturer in Theatre and Performance, Birkbeck College, University of London, UK MIKE PEARSON Professor of Performance Studies, Department of Theatre, Film and Television Studies, Aberystwyth University, UK JULIE SANDERS Professor of English Literature and Drama, University of Nottingham, UK RICHARD WINDEYER Digital media creative, audio artist, composer, musician and educator, Wilfrid Laurier University, Canada KEREN ZAIONTZ Lecturer of Drama, Theatre, and Performance, Roehampton University, UK
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Additional Information

Publisher
Springer
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Published on
Oct 10, 2012
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Pages
253
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ISBN
9781137283498
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Language
English
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Genres
Performing Arts / Dance / Classical & Ballet
Performing Arts / General
Performing Arts / Theater / General
Performing Arts / Theater / History & Criticism
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Content Protection
This content is DRM protected.
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"Miss Grant has made more information available in one book than we have ever had before. Teacher's organizations would do well to consider the use of Miss Grant's Technical Manual as an official textbook." — Dance Magazine
Teacher recommended, Gail Grant's Technical Manual has long been one of the most popular and effective ballet reference guides. Completely revised and updated, this third edition is virtually a new work and should be owned by every student, dance teacher, choreographer, and ballet enthusiast — even those who purchased the second edition. Extensive revision, expansion, and the inclusion of more than 300 new terms have added immeasurably to the value of this concise, definitive manual.
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