This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Clunas analyzes superfluous things the paintings, calligraphy, bronzes, ceramics, carved jade, and other objects owned by the elites of Ming China and describes contemporary attitudes to them. He informs his discussions with reference to both socio-cultural theory and current debates on eighteenth-century England concerning luxury, conspicuous consumption, and the growth of the consumer society.
Craig Clunas is Percival David Chair of Chinese Art at SOAS, London, and the author of Superfluous Things, Fruitful Sites: Garden Culture in Ming Dynasty China, Pictures and Visuality in Early Modern China, and Art in China.
Drawing on years of fieldwork in China's leading art academies and art test prep schools, Chumley combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, Creativity Class sheds light on an important facet of today's China.
Arjuna’s struggle in the Bhagavad Gita is acutely modern. He has lost his way on the battlefield of life and turns to find the path again by asking direct, uncompromising questions of his spiritual guide, Sri Krishna, the Lord himself. Krishna replies in 700 verses of sublime instruction on living and dying, loving and working, and the nature of the soul.
Easwaran shows the Gita’s relevance to us today as we strive, like Arjuna, to do what is right.
“No one in modern times is more qualified – no, make that ‘as qualified’ – to translate the epochal Classics of Indian Spirituality than Eknath Easwaran. And the reason is clear. It is impossible to get to the heart of those classics unless you live them, and he did live them. My admiration of the man and his works is boundless.” – Huston Smith, author of The World’s Religions.