This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Clunas analyzes superfluous things the paintings, calligraphy, bronzes, ceramics, carved jade, and other objects owned by the elites of Ming China and describes contemporary attitudes to them. He informs his discussions with reference to both socio-cultural theory and current debates on eighteenth-century England concerning luxury, conspicuous consumption, and the growth of the consumer society.
Craig Clunas is Percival David Chair of Chinese Art at SOAS, London, and the author of Superfluous Things, Fruitful Sites: Garden Culture in Ming Dynasty China, Pictures and Visuality in Early Modern China, and Art in China.
Drawing on years of fieldwork in China's leading art academies and art test prep schools, Chumley combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, Creativity Class sheds light on an important facet of today's China.
The Tao Te Ching is the most widely traslated book in world literature, after the Bible. Yet the gemlike lucidity of the original has eluded most previous translations, and they have obscured some of its central ideas. Now the Tao Te ching has been rendered into English by the eminent scholar and traslator Stephen Mitchell. Mr. Mitchell's Dropping Ashes on the Buddha is a modern Zen classic, and his translations of Rilke and of the Book of Job have already been called definitive for our time.
(The Art of War by Sun Tzu, 9789380914893)