Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World

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Gilded Lives, Fatal Voyage takes us behind the paneled doors of the Titanic’s elegant private suites to present compelling, memorable portraits of her most notable passengers. 

The Titanic has often been called "An exquisite microcosm of the Edwardian era,” but until now, her story has not been presented as such. In Gilded Lives, Fatal Voyage, historian Hugh Brewster seamlessly interweaves personal narratives of the lost liner’s most fascinating people with a haunting account of the fateful maiden crossing.

Employing scrupulous research and featuring 100 rarely seen photographs, he accurately depicts the ship’s brief life and tragic denouement and presents compelling, memorable portraits of her most notable passengers: millionaires John Jacob Astor and Benjamin Guggenheim; President Taft's closest aide, Major Archibald Butt; writer Helen Churchill Candee; the artist Frank Millet; movie actress Dorothy Gibson; the celebrated couturiere Lady Duff Gordon; aristocrat Noelle, the Countess of Rothes; and a host of other travelers. Through them, we gain insight into the arts, politics, culture, and sexual mores of a world both distant and near to our own. And with them, we gather on the Titanic’s sloping deck on that cold, starlit night and observe their all-too-human reactions as the disaster unfolds. More than ever, we ask ourselves, “What would we have done?”
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About the author

Hugh Brewster has twenty-five years of experience in creating books about the Titanic as an editor, publisher, and writer. He worked with Robert D. Ballard to produce the 1987 international bestseller The Discovery of the Titanic and oversaw the creation of Titanic: An Illustrated History, a book that provided inspiration for James Cameron’s epic movie.  Brewster is also the author of Inside the Titanic, 882 1/2 Amazing Answers to All Your Questions About the Titanic, and Deadly Voyage and has written twelve award-winning books for young readers, including Carnation, Lily, Lily, Rose, which was chosen as one of the best books of 2007 by the Washington Post. He lives in Toronto.
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Additional Information

Publisher
Crown
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Published on
Mar 27, 2012
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Pages
320
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ISBN
9780307984715
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Features
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Language
English
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Genres
Biography & Autobiography / Rich & Famous
History / United States / 20th Century
Transportation / Ships & Shipbuilding / History
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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From golden-voiced ingénue to bus-driving mother of a pop band, Shirley Jones sets aside her wholesome, squeaky clean image in a memoir as shockingly candid, deliciously juicy, and delightfully frank as the star herself.

“You are going to meet the real flesh-and-blood Shirley Jones, not just the movie star or Mrs. Partridge,” says the beloved film, television, and stage actress and singer of her long-awaited memoir, an account as shockingly direct, deliciously juicy, and delightfully frank as the performer herself.

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#1 NEW YORK TIMES BESTSELLER

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Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?
 
Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.
 
Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.
 
The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic.
 
Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.

Praise for Empty Mansions
 
“An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times
 
“An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast
 
“Fascinating . . . [a] haunting true-life tale.”—People
 
“One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show
 
“Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)



From the Trade Paperback edition.
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