Cast Size: 1 Female
They're the last two pandas on earth. It's mating season. One of them falls in love with a crocodile. Who is gay. And then the baby comes. In this sweet celebration of non-traditional families, Gwo Gwo the panda must balance his newfound desire for Chester the crocodile with his obligations to his prescribed panda mate, Marion. The animals eat, mate, splash around in identity politics, wrestle with the ambivalence of parenthood, and love one another as only families can.
"Bad Panda offers nonstop hilarity and sweet introspection... Playwright Megan Gogerty's smart, witty script and dedicated character development are to be lauded." -Broadwayworld.com
"No school field trip to the zoo was ever this entertaining or self-discovering and this show will touch your heart on a warm and fuzzy level..." -DC Metro Theatre Arts
"fresh, cute... and despite the characters being animals, very human." -Maryland Theatre Guide
Cast Size: 1 Female
Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."
In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?
The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.
As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.