“Electrifying” (People) • “Masterly” (The Guardian) • “Dramatic and memorable” (The New Yorker) • “Magic” (TIME) • “Ingenious” (The Financial Times) • "A gonzo literary performance” (Entertainment Weekly) • “Rare and splendid” (The Boston Globe) • “Remarkable” (USA Today) • “Delicious” (The New York Times) • “Book groups, meet your next selection" (NPR)
In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving “Brotherhood of the Arts,” two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed—or untoyed with—by anyone, especially not by their charismatic acting teacher, Mr. Kingsley.
The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school’s walls—until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true—though it’s not false, either. It takes until the book’s stunning coda for the final piece of the puzzle to fall into place—revealing truths that will resonate long after the final sentence.
As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.
Writer Nate Piven's star is rising. After several lean and striving years, he has his pick of both magazine assignments and women: Juliet, the hotshot business reporter; Elisa, his gorgeous ex-girlfriend, now friend; and Hannah, "almost universally regarded as nice and smart, or smart and nice," who holds her own in conversation with his friends. When one relationship grows more serious, Nate is forced to consider what it is he really wants.
In Nate's 21st-century literary world, wit and conversation are not at all dead. Is romance? Novelist Adelle Waldman plunges into the psyche of a flawed, sometimes infuriating modern man—one who thinks of himself as beyond superficial judgment, yet constantly struggles with his own status anxiety, who is drawn to women, yet has a habit of letting them down in ways that may just make him an emblem of our times. With tough-minded intelligence and wry good humor The Love Affairs of Nathaniel P. is an absorbing tale of one young man's search for happiness—and an inside look at how he really thinks about women, sex and love.
In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him—and to keep her mother from finding out about her maybe-boyfriend—rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.
The Sunday Times EFG Short Story Award is the world's most prestigious and richest short story prize, worth £30,000 to the winner. Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.
Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.
Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.