Donald E. Westlake

Donald Edwin Westlake was an American writer, with over a hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction or other genres. He was a three-time Edgar Award winner, one of only three writers to win Edgars in three different categories. In 1993, the Mystery Writers of America named Westlake a Grand Master, the highest honor bestowed by the society.
Read more
Collapse
You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Hunter, the first volume in the series, Parker roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption.

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World

“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
Forge Books is proud to present an amazing collection of novellas, compiled by New York Times bestselling author Ed McBain. Transgressions is a quintessential classic of never-before-published tales from today's very best novelists. Featuring:

"Walking Around Money" by Donald E. Westlake: The master of the comic mystery is back with an all-new novella featuring hapless crook John Dortmunder, who gets involved in a crime that supposedly no one will ever know happened. Naturally, when something it too good to be true, it usually is, and Dortmunder is going to get to the bottom of this caper before he's left holding the bag.

"Hostages" by Anne Perry: The bestselling historical mystery author has written a tale of beautiful yet still savage Ireland today. In their eternal struggle for freedom, there is about to be a changing of the guard in the Irish Republican Army. Yet for some, old habits-and honor-still die hard, even at gunpoint.

"The Corn Maiden" by Joyce Carol Oates: When a fourteen-year-old girl is abducted in a small New York town, the crime starts a spiral of destruction and despair as only this master of psychological suspense could write it.

"Archibald Lawless, Anarchist at Large: Walking the Line" by Walter Mosley: Felix Orlean is a New York City journalism student who needs a job to cover his rent. An ad in the paper leads him to Archibald Lawless, and a descent into a shadow world where no one and nothing is as it first seems.

"The Resurrection Man" by Sharyn McCrumb: During America's first century, doctors used any means necessary to advance their craft-including dissecting corpses. Sharyn McCrumb brings the South of the 1850s to life in this story of a man who is assigned to dig up bodies to help those that are still alive.

"Merely Hate" by Ed McBain: When a string of Muslim cabdrivers are killed, and the evidence points to another ethnic group, the detectives of the 87th Precinct must hunt down a killer before the city explodes in violence.

"The Things They Left Behind" by Stephen King: In the wake of the worst disaster on American soil, one man is coming to terms with the aftermath of the Twin Towers--when he begins finding the things they left behind.

"The Ransome Women" by John Farris: A young and beautiful starving artist is looking to catch a break when her idol, the reclusive portraitist John Ransome offers her a lucrative year-long modeling contract. But how long will her excitement last when she discovers the fate shared by all Ransome's past subjects?

"Forever" by Jeffery Deaver: Talbot Simms is an unusual cop-he's a statistician with the Westbrook County Sheriff Department. When two wealthy couples in the county commit suicide one right after the other, he thinks that it isn't suicide-it's murder, and he's going to find how who was behind it, and how the did it.

"Keller's Adjustment" by Lawrence Block: Everyone's favorite hit man is back in MWA Grand Master Lawrence Block's novella, where the philosophical Keller deals out philosophy and murder on a meandering road trip from one end of the America to the other.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to. Parker goes under the knife in The Man with the Getaway Face, changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World

“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Outfit, Parker goes toe-to-toe with the mob—hitting them with heist after heist after heist—and the entire underworld learns an unforgettable lesson: whatever Parker does, he does deadly.

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World

“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.

They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.

Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing; his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.

Parker works with a group of professional con men in The Score on his biggest job yet—robbing an entire town in North Dakota.

“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.