With more than forty novels to his credit and still going strong, the legendary Elmore Leonard has well earned the title, “America’s greatest crime writer” (Newsweek). And U.S. Marshal Raylan Givens (Pronto, Riding the Rap, Fire in the Hole) is one of Leonard’s most popular creations, thanks in part to the phenomenal success of the hit TV series “Justified.” Leonard’s Raylan shines a spotlight once again on the dedicated, if somewhat trigger-happy lawman, this time in his familiar but not particularly cozy milieu of Harlan County, Kentucky, where the drug dealing Crowe brothers are branching out into the human body parts business. Suspenseful, darkly wry and riveting, and crackling with Leonard’s trademark electric dialogue, Raylan is prime Grand Master Leonard as you have always loved him and always will.
The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—the “King Daddy of crime writers” (Seattle Times) demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies. Get Shorty’s shylock protagonist, Chili Palmer, is a truly inspired creation—as memorable as another unforgettable Leonard hero, U.S. Marshal Raylan Givens of the hit TV series Justified—and readers will relish his moves and countermoves in this electrifying, funny, bullet train-paced winner from “the greatest crime writer of our time, perhaps ever!” (New York Times Book Review)
Rum Punch is classic Elmore Leonard—the electrifying thriller that served as the basis for the acclaimed film Jackie Brown by director Quentin Tarantino, starring Pam Grier, Robert DeNiro, and Samuel L. Jackson. Leonard’s story of a not-altogether-blameless flight attendant on the run from her vicious gun-running sometime employer who sees her as a troublesome loose end, Rum Punch is “the King Daddy of crime writers” (Seattle Times) at his sharpest and most ingeniously entertaining. In fact, People magazine calls it, “Leonard’s best work. He brilliantly reaffirms his right to the title of America’s finest crime fiction writer.” Enjoy this sensational noir winner from the creator of the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, and see why the great Elmore Leonard stands tall in the company of America’s most legendary crime fiction masters: John D. MacDonald, Dashiell Hammett, James M. Cain, et al.
“A classic….Leonard’s writing style is as effortless and enjoyable as watching a good movie.”
Grand Master Elmore Leonard is justifiably acknowledged as “the best writer of crime fiction alive” (Newsweek)—and, in fact, one of the very best ever, alongside other all-time greats like John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker. But he has also many acclaimed masterworks of American western fiction to his credit—including Hombre, the basis for the classic Hollywood motion picture starring Paul Newman. Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws. As thrilling as his contemporary novels of crime, double-cross, and murder in Detroit and Miami, Hombre is Elmore Leonard at his riveting best—no less than one would expect from the creator of U.S. Marshal Raylan Givens (Justified).
“The man knows how to grab you—and Pronto is one of the best grabbers in years.”
Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra.
In this collection of new and recently published short fiction, Leonard demonstrates the superb characterizations, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name. And once more this master of crime illustrates that the line between the law and the lawbreakers is not as firm as we might think.
Federal marshal Karen Sisco, from the bestselling novel Out of Sight, returns in "Karen Makes Out," once again inadvertently mixing pleasure with business. In "Fire in the Hole," Raylan Givens, last seen in Riding the Rap and Pronto, meets up with an old friend, but they're now on different sides of the law. In the title story, "When the Women Come Out to Dance," Mrs. Mahmood gets more than she bargains for when she conspires with her maid to end her unhappy marriage. In all nine stories -- each unique in their own right -- reluctant heroes and laid-back lowlifes struggle for power, survival, and their fifteen minutes of fame.
Vivid, hilarious, and unfailingly human, these stories ring true with Elmore Leonard's signature deadpan social observations and diabolical eye for the foibles of the good guys and the bad.
“You know from the first sentence that you’re in the hands of the original Daddy Cool....This one’ll kill you.”
Elmore Leonard is eternal. In Road Dogs, the PEN USA Lifetime Achievement Award winner and “America’s greatest crime master” (Newsweek) brings back three of his favorite characters—Jack Foley from Out of Sight, Cundo Rey from La Brava, and Dawn Navarro from Riding the Rap—for a twisting, explosive, always surprising masterwork of crime fiction the San Francisco Chronicle calls, “a sly, violent, funny and superbly written story of friendship, greed, and betrayal.”