Night Sleep Death The Stars is a gripping examination of contemporary America through the prism of a family tragedy: when a powerful parent dies, each of his adult children reacts in startling and unexpected ways, and his grieving widow in the most surprising way of all.
Stark and penetrating, Joyce Carol Oates’s latest novel is a vivid exploration of race, psychological trauma, class warfare, grief, and eventual healing, as well as an intimate family novel in the tradition of the author’s bestselling We Were the Mulvaneys.
"This collection of feminist crime tales edited by the one and only Joyce Carol Oates is marketed to 'readers who are sick and tired of the status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society.' Well, isn't that everyone?"
--CrimeReads, included in the Most Anticipated Crime Books of 2019
"Oates' stellar anthology of female noir...is an inclusive homage to the female/feminist perspective...Taken as a whole, the collection is a surreal yet satisfying journey into the darker side of the female consciousness, a book that, for all its murk and mayhem, celebrates feminine strength, cunning, and determination."
"The 15 stories and six poems in this slim yet weighty all-original noir anthology--contributors include Margaret Atwood and Edwidge Danticat--are razor-sharp and relentless in their portrayal of life, offering snapshots of dysfunction, everyday toil, and brief joy...Each story sears but does not cauterize, leaving protagonists and readers raw. As Oates points out in her introduction, and the stories hauntingly evoke, noir's strength has very little to do with man-centric plots and everything to do with female ascendance. Fans of contemporary crime fiction won't want to miss this one."
"'Is there a distinctive female noir?' asks Oates in her introduction. This collection may not settle that question, but it goes a long way toward supplying candidates for an emerging canon. There are 15 stories here, all but one of them new, and half a dozen new poems...the average [story] is high enough to satisfy readers of all genders."
Joyce Carol Oates, a queenpin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more.
Featuring brand-new stories by: Joyce Carol Oates, Margaret Atwood (poems), Valerie Martin, Aimee Bender, Edwidge Danticat, Sheila Kohler, S.A. Solomon, S.J. Rozan, Lucy Taylor, Cassandra Khaw, Bernice L. McFadden, Jennifer Morales, Elizabeth McCracken, Livia Llewellyn, Lisa Lim, and Steph Cha.
From the introduction by Joyce Carol Oates:
"The particular strength of the female noir vision isn't a recognizable style but rather a defiantly female, indeed feminist, perspective. Cutting Edge brings together a considerable range of twenty-first-century female voices, from sociological realism (Cha) to Grand Guignol surrealism (Oates); from erotic playfulness (Bender) to dark fairy-tale determinism (Khaw). Here is a brilliantly deadpan graphic story by Lisa Lim, and here are brilliantly executed poems by Margaret Atwood. Artwork by Laurel Hausler is striking and original, sinister and triumphant; Noir Dame (on the front cover) is the perfect image of a mysterious beauty, far more than merely skin-deep, and essentially unknowable."
Which should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it?
My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement.
Arresting and poignant, My Life as a Rat traces a life of banishment from a family—banishment from parents, siblings, and the Church—that forces Violet to discover her own identity, to break the powerful spell of family, and to emerge from her long exile as a “rat” into a transformed life.