But there are nine killers to one Spenser -- long odds. Hawk helps balance the equation. The rest depends on a wild plan. Spenser will get one of the terrorists to play Judas Goat -- to lead him to others. Trouble is, he hasn't counted on her being very blond, very beautiful and very dangerous.
A greedy mine owner threatens the coalition of local ranchers in the town of Resolution, pitching two honorable gunfighters, Virgil Cole and Everett Hitch, into a make-shift war that'll challenge their friendship -and the violently shifting laws of the West.
Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16.
America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three, with Spenser out for good!
The big boys figure a little blackmail will put her husband out of the race. Until Spenser hops on the candidate's bandwagon.
But getting back the tape of the lady's X-rated indiscretion is a nonstop express ride to trouble--trouble that is deep, wide and deadly.
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Appie Knoll is the kind of suburb where kids grow up right. But something is wrong. Fourteen-year-old Kevin Bartlett disappears. Everyone thinks he's run away -- until the comic strip ransom note arrives. It doesn't take Spenser long to get the picture -- an affluent family seething with rage, a desperate boy making strange friends...friends like Vic Harroway, body builder. Mr. Muscle is Spenser's only lead and he isn't talking...except with his fists. But when push comes to shove, when a boy's life is on the line, Spenser can speak that language too.
"A brillant, and cynical, comic tragedy or tragic comedy of manners. Long may Parker wave." -- Los Angeles Times
The real reason we keep turning the pages of Promised Land is because of the compelling figure cut by detective Spenser. The way in which he gets the information he gets about the case from police detectives, bartenders, and local thugs-Spenser's unique bracing blend of irony and sincerity that almost never encourages the people he encounters to really like him--is as interesting as the information he gets.
Spenser is clever, often hilarious and his quips have something more than self-amusement as their end. Beneath the air of insouciant detachment and irony is a quixotic concern, as witnessed by his often self-sacrificing actions. The people Spenser meets often made predictable mistakes, falling into the same traps he has seen countless others fall into, and out of which they are mistakenly sure they can get out. Although he is weary of watching this pageant of human weakness and failure time and again, Spenser cannot help but become emotionally entangled in his cases, no matter how numbingly predictable they may be.