Stephen King

Stephen Edwin King is an American author of contemporary horror, suspense, science fiction, and fantasy. His books have sold more than 350 million copies and many of them have been adapted into feature films, television movies and comic books. King has published fifty novels, including seven under the pen name Richard Bachman, and five non-fiction books. He has written nearly two hundred short stories, most of which have been collected in nine collections of short fiction. Many of his stories are set in his home state of Maine.
King has received Bram Stoker Awards, World Fantasy Awards, and British Fantasy Society Awards. His novella The Way Station was a Nebula Award novelette nominee, and his short story "The Man in the Black Suit" received the O. Henry Award. In 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters. He has also received awards for his contribution to literature for his entire oeuvre, such as the World Fantasy Award for Life Achievement, the Canadian Booksellers Association Lifetime Achievement Award and the Grand Master Award from the Mystery Writers of America.
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Includes the story “Premium Harmony”—set in the fictional town of Castle Rock, Maine

The masterful #1 New York Times bestselling story collection from O. Henry Prize winner Stephen King that includes twenty-one iconic stories with accompanying autobiographical comments on when, why and how he came to write (or rewrite) each one.

For more than thirty-five years, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he introduces each story with a passage about its origins or his motivations for writing it.

As Entertainment Weekly said about this collection: “Bazaar of Bad Dreams is bursting with classic King terror, but what we love most are the thoughtful introductions he gives to each tale that explain what was going on in his life as he wrote it."

There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. In “Afterlife,” a man who died of colon cancer keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Others address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.

“I made these stories especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

Stories include:
-Mile 81
-Premium Harmony
-Batman and Robin Have an Altercation
-The Dune
-Bad Little Kid
-A Death
-The Bone Church
-Morality
-Afterlife
-Ur
-Herman Wouk Is Still Alive
-Under the Weather
-Blockade Billy
-Mister Yummy
-Tommy
-The Little Green God of Agony
-Cookie Jar
-That Bus Is Another World
-Obits
-Drunken Fireworks
-Summer Thunder
From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It. “This is King at his best” (The St. Louis Post-Dispatch).

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute “is another winner: creepy and touching and horrifyingly believable, all at once” (The Boston Globe).
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