New Movie Releases in Drama
This ground-breaking and uniquely told story is about a young aspiring filmmaker from New York who embarks to Los Angeles to chase the Hollywood dream. But through his relationship with a young and feisty actress, he soon learns that Hollywood is not what it seems.
Boasting an all-star cast including JD Williams (The Wire), Hassan Johnson (The Wire), Samantha Esteban (Training Day, Harsh Times), Anil Raman, Amber Lee Ettinger, and Silvestre Rasuk, "An American in Hollywood" is the true story of the Hollywood institution and ultimately, the true story of chasing a dream in America."
triumphant masterpiece from Jean-Luc Godard. The film follows a couple whose relationship
breaks down along with the images, which in its second half takes a dog’s-eye view of
the world. It is a meditation on history and illusion, figures merging and weaving across the
screen along with the film’s ideas about romantic love and being-in-the-world. It has the
feeling of a final statement, but knowing Godard’s penchant for re-invention, hopefully it is
yet another beginning to an extraordinary career.
Now, after ten years, we find Milan in New York City, driving a taxi (long shifts and loopy fares), cobbling together funds for a recording session of his dream album—to be recorded and released in America.
When his bass guitar player suddenly quits, he finds a talented but prickly replacement, and a romantic spark, in a free-‐spirited guitarist named Kim. Just as rehearsals start picking up steam, Milan's longtime Serbian girlfriend Lela arrives with very different plans for their future
—she wants him to come home to Serbia where his reputation will let him be anything he wants—but Milan is determined to make his recording—in America, at any cost.
The minute she steps one foot in the car, things seem to take a turn for the worst.
Her car breaks down in a strange town. Not knowing who to trust, she is at the mercy of the towns people to get her car up and running so she can continue what she started. Only things don't go the way she planned. She finds herself trapped in a nightmare, physically and mentally. She's forced to face her old demons as well as these new demons and can't decide what's worse, leaving the question of will she escape this terrible place or is this place better than the mental anguish that's been plaguing her.
in the struggle for liberation in the Third World, as well as an exploration into the mechanisms
of decolonization through text from Frantz Fanon’s The Wretched of the Earth. Fanon’s landmark
book, written over 50 years ago, is still a major tool for understanding and illuminating the
neocolonialism happening today, as well as the violence and reactions against it.
In the middle of the Cold War, radical Swedish filmmakers set out to capture the antiimperialist
liberation movements in Africa first hand. With their 16mm footage, found in the
Swedish Television archives, filmmaker Göran Hugo Olsson draws on his experience making
The Black Power Mixtape (2011) to create a visual narrative from Africa - images of the pursuit
of freedom, the Cold War and Sweden. Swedish filmmakers, with their sense of solidarity with
anti-imperial and socialist struggles around the world at the time, created images and stories
which still resonate today, and can change and deepen our impression of the globalized world
we live in.
The people captured by these filmmakers fought with their lives at stake, for their and
others’ freedom. The unique archival footage features a nighttime raid with the MPLA in
Angola, interviews with the guerrilla soldiers of FRELIMO in Mozambique, as well as with
Thomas Sankara, Amílcar Cabral and other African revolutionaries. The imagery is fantastic:
clear, crisp and unique films that convey a sense of urgency and dedication that was at the
heart of the decolonization movements.
In pictures and interviews, as well as with a narrating voice guiding the audience through the
material with the words of Frantz Fanon, Concerning Violence tells the story of the people and
ideas behind one of the most urgent struggles for freedom and change in the 20th century. The
organization of the film into nine chapters connects quite abstract ideas with concrete images and
real people who embody and carry the story.
Crafting a form that is unique in its blend of cinematic essay and archival footage documentary,
Concerning Violence re-introduces Fanon’s humanist, post-colonial vision through a cinematic
journey that brings us face to face with the people for whom Fanon’s writings on decolonization
were not just rhetoric, but a reality.
In layering Fanon’s text with archival footage, graphic design and music in a contemporary tone,
filmmaker Göran Hugo Olsson presents a new generation of audiences with a re-examination of
the machinery of colonialism that is at the root of much of the violence we see breaking out in
parts of the world today.