From acclaimed director Peter Bogdanovich comes an extraordinary look at a fateful excursion aboard William Randolph Hearst's private yacht in November 1924 that brought together some of the country's best known personalities and resulted in a still-unsolved, hushed-up killing. As Hearst and his lover, actress Marion Davies, set sail from San Pedro Harbor early one Saturday morning, hosting a small group that includes the brilliant but self-absorbed Charlie Chaplin, film pioneer Thomas Ince, ambitious gossip columnist Louella Parsons and the eccentric British Victorian novelist Elinor Glyn, it quickly becomes clear that although witty repartee is theorder of the day, deceit and deception are also on the menu.
Experience Orson Welles' timeless masterpiece, Touch of Evil, complete and uncut with restored footage for the first time ever! This exceptional film noir portrait of corruption and morally-compromised obsessions stars Welles as Hank Quinlan, a crooked police chief who frames a Mexican youth as part of an intricate criminal plot. Charlton Heston plays an honorable Mexican narcotics investigator who clashes with the bigoted Quinlan after probing into his dark past. A memorable supporting cast including Janet Leigh as Heston's inquisitive wife, Akim Tamiroff as a seedy underworld leader, Zsa Zsa Gabor and Marlene Dietrich as an enigmatic gypsy complete this fascinating drama engulfed in haunting cinematography and a magnificently eerie score by Henry Mancini.
An adaptation of Charlotte Bronte's classic 19th-Century novel.Small, plain and poor, Jane Eyre comes to Thornfield hall as governess to the young ward of Edward Rochester. Denied love all her life, Jane can't help but be attracted to the intelligent,
Casablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one, especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more - personal happiness or countless lives hanging in the balance. MPAA Rating: No Rating (c) Warner Bros. Entertainment, Inc.
A woman's lust for money leads her dentist husband to commit murder. Directed by Oscar-nominee actor/director Erich Von Stoheim ("Sunset Boulevard"). Despite being cut from its original eight hour length, it remains one of the greatest silent films ever produced. Features spectacular Death Valley locations. Inducted into the Library of Congress National Film Registry. Recently selected by the prestigious American Film Institute as one of the greatest American films of all time.
In 1949, an American writer of westerns, Holly Martins, arrives in post-war Vienna to visit his old friend Harry Lime. On arrival, he learns that his friend has been killed in a street accident, and when he meets Calloway, chief of the British Military Police in Vienna, he is informed that Lime was in fact a black marketer wanted by the police. He decides to prove Harry's innocence, but is Harry really dead?
The crowning achievement of Orson Welles’s extraordinary film career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff. Usually a comic supporting figure, Falstaff—the loyal, often soused friend of King Henry IV’s wayward son Prince Hal—here becomes the focus: a robustly funny and ultimately tragic screen antihero played by Welles with looming, lumbering grace. Integrating elements from both Henry IV plays as well as Richard II, Henry V, and The Merry Wives of Windsor, Welles created a gritty and unorthodox Shakespeare film, one that he intended, he said, as “a lament . . . for the death of Merrie England.” Poetic, philosophical, and visceral—with a kinetic centerpiece battle sequence that rivals anything else in the director’s body of work—Chimes at Midnight is as monumental as the figure at its heart.
An epic like nothing that came before it or has been seen since, Griffith's monumental masterpiece remains as powerful today as it was almost a century ago. The film also proved to be something of a training ground for young directors who would go on to have important careers in their own right, such as Victor Fleming (WIZARD OF OZ and GONE WITH THE WIND), Allan Dwan (SANDS OF IWO JIMA), Sidney Franklin (THE GOOD EARTH), and Todd Browning (DRACULA). This major innovation in screen narrative tells four stories about social injustice in parallel: 1. "The Modern Story" of a working man wrongly accused of a crime was later issued as a separate film (The Mother and the Law, 1919). 2. "The Judean Story" of Jesus' conflict with the Pharisees and Rome. 3. "The Medieval Story" of the effects of the massacre of 16th-century French Huguenots. 4. "The Babylonian Story" of the conquest of Babylon by conspirators also was issued later as a separate film (The Fall of Babylon, 1919). Skillful cross-cutting brings all four stories to a tense climax. With the profits from THE BIRTH OF A NATION, Griffith constructed huge sets and hired thousands of extras for spectacular crowd scenes that remain among the best directed scenes of their kind.
Martin Scorsese directed this disturbing portrait of a New York cabby, written by Paul Schrader. The cab driver is driven to madness by urban decay and becomes a one man vigilante killing several hoodlums to free a sub-teen hooker.
A sprawling epic of family, faith, power and oil, THERE WILL BE BLOOD is set on the incendiary frontier of California's turn-of-the-century petroleum boom. The story chronicles the life and times of one Daniel Plainview (Daniel Day-Lewis), who transforms himself from a down-and-out silver miner raising a son on his own into a self-made oil tycoon. When Plainview gets a mysterious tip-off that there's a little town out West where an ocean of oil is oozing out of the ground, he heads with his son, H.W. (Dillon Freasier), to take their chances in dust-worn Little Boston. In this hardscrabble town, where the main excitement centers around the holy roller church of charismatic preacher Eli Sunday (Paul Dano), Plainview and H.W. make their lucky strike. But even as the well raises all of their fortunes, nothing will remain the same as conflicts escalate and every human value -- love, hope, community, belief, ambition and even the bond between father and son -- is imperiled by corruption, deception and the flow of oil.
Orson Welles’s first color film and final completed fictional feature, The Immortal Story is a moving and wistful adaptation of a tale by Isak Dinesen. Welles stars as a wealthy merchant in nineteenth-century Macao, who becomes obsessed with bringing to life an oft-related anecdote about a rich man who gives a poor sailor a small sum of money to impregnate his wife. Also starring an ethereal Jeanne Moreau, this jewel-like film, dreamily shot by Willy Kurant and suffused with the music of Erik Satie, is a brooding, evocative distillation of Welles’s artistic interests—a story about the nature of storytelling and the fine line between illusion and reality.
Anthony Perkins (PSYCHO) stars in Orson Welles' adaption of the Franz Kafka novel. A taut psychological thriller and drama about a man who is accused of a mysterious crime that he has no recollection of, caught in a nightmarish labyrinth of bureaucracy leading him to doubt his own innocence.
Gloria Swanson, as Norma Desmond, an aging silent-film queen, and William Holden, as the struggling young screenwriter who is held in thrall by her madness, created two of the screen's most memorable characters in "Sunset Boulevard." Winner of three Academy Awards®, director Billy Wilder's powerful orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence -- a body found floating in a decayed mansion's swimming pool -- through the inevitable unfolding of tragic destiny, "Sunset Boulevard" is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot amidst unrelenting ominousness, are equally celebrated for their masterful performances.
RAGING BULL is director Martin Scorsese's lacerating film biography of middleweight boxing champion Jake LaMotta, who was known during his brief reign as "the Bronx Bull." LaMotta (played with extraordinary brilliance by Robert De Niro) had early lessons in life: to steal and to fight. His aggression in the ring was a means of combating deep-seated anxieties and emotional fears. This determination and rage turned him from a young hoodlum into a champion. But his drive for the title, his brutality outside of the ring and his almost-psychotic sexual jealousy will destroy his marriage to Vickie (Cathy Moriarty) and his deepest friendships. After Vickie leaves him a final violent confrontation with his patient, supportive brother and manager, Joey (Joe Pesci)-and the loss of his title.