Dolor Y Gloria

March 2019113 minutes
Drama
4
Neither audio nor subtitles are available in your language. Audio is available in Spanish.

“Dolor y Gloria” narra una serie de reencuentros de Salvador Mallo, un director de cine en su ocaso. Algunos de ellos físicos, otros recordados: su infancia en los años 60, cuando emigró con sus padres a Paterna, un pueblo de Valencia en busca de prosperidad, el primer deseo, su primer amor adulto ya en el Madrid de los 80, el dolor de la ruptura de este amor cuando todavía estaba vivo y palpitante, la escritura como única terapia para olvidar lo inolvidable, el temprano descubrimiento del cine y el vacío, el inconmensurable vacío ante la imposibilidad de seguir rodando. “Dolor y Gloria” habla de la creación, de la dificultad de separarla de la propia vida y de las pasiones que le dan sentido y esperanza. En la recuperación de su pasado, Salvador encuentra la necesidad urgente de narrarlo, y en esa necesidad, encuentra también su salvación.
Read more
Collapse
Loading...

Additional Information

Rotten Tomatoes® score
Audio language
Spanish (5.1)
Eligible for Family Library
Eligible if purchased with select payment methods. Rentals are not eligible. Learn more
Run time
113 minutes
Pedro Almodóvar directed this story of a woman and her circle of friends who find themselves suffering a variety of emotional crises. Manuela (Cecilia Roth) is a single mother who has raised her son, Esteban (Eloy Azorín), to adulthood on her own and has come to emotionally depend on him. One night, Manuela and Esteban take in a production of +A Streetcar Named Desire; after the show, Esteban is struck and killed by a passing motorist as he dashes into the street to get an autograph from Huma Rojo (Marisa Paredes), who played Blanche. Emotionally devastated, Manuela relocates to Barcelona in hopes of finding her ex-husband (and Esteban's father), who is now working as a female impersonator. Manuela becomes reacquainted with old friend La Agrado (Antonia San Juan), a transsexual, and is introduced to Sister Rosa (Penélope Cruz), a good-hearted nun who has to contend with her considerably more cynical mother (Rosa María Sardà). While looking for work, Manuela becomes acquainted with Huma Rojo. Huma, on the other hand, has troubles of her own, most involving her drug-addicted significant other, Nina (Candela Peña). Displaying Almodóvar's trademark visual style and a unusually strong sense of character-driven drama, Todo Sobre Mi Madre/All About My Mother received a highly anticipated theatrical run in Spain before winning the Best Director award at the 1999 Cannes Film Festival; in 2000, Almodóvar would receive the Academy Award for Best Foreign Language Film. © 1999 El Deseo D.A., S.L.U. and Pathe Renn Production S.A.S. All Rights Reserved.
A very varied group of people are in a precarious situation aboard a plane flying to Mexico City. A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that's what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death. The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter's estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican. Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death. This catharsis, developed in the tone of a riotous, moral comedy, fills the time with sensational confessions that help them forget the anguish of the moment.
©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.