Hot Shots!

July 199184 minutes
Comedy
212

Recruited to join a top-secret mission for the Air Force, a renegade pilot (Sheen) finds himself coping with an incompetent admiral (Bridges) and a carefully-selected squadron of flyers who are either inept or half-blind. He also winds up in competition with the corps' model of military perfection (Elwes) for the heart of the base's sultry psychiatrist (Golino).
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Additional Information

Rotten Tomatoes® score
Eligible for Movies Anywhere
Eligible if purchased. Rentals are not eligible. Learn more.
Audio language
English (Stereo)
Subtitles
English [CC]
Rental Period
Start within 30 days, finish within 48 hours.
Eligible for Family Library
Eligible if purchased with select payment methods. Rentals are not eligible. Learn more
Run time
84 minutes
Rating
PG-13
The second of Zucker-Abraham-Zucker's theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an "Elvis" movie and a World War II "underground resistance" thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z's cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team's fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z's other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu ("Haven't we met somewhere before?"), Kilmer's horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let's say no more: comedy of this nature is designed to be seen, not written or read about.
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