Cast and credits
Her story takes an unexpected turn two decades later when two rookie attorneys, with no background in criminal law, step forward to take her case. Through their perseverance, they bring to light long-lost witnesses, new testimonies from the men who committed the murder, and proof of perjured evidence. Their investigation ultimately attracts global attention to victims of wrongful incarceration and abuse, and takes on profound urgency when Debbie is diagnosed with cancer. Filming in and out of prison for over five years, filmmaker Yoav Potash methodically documented this story as it unfolded. With exclusive access to Debbie Peagler and her attorneys, CRIME AFTER CRIME tells an unforgettable story of a relentless quest for justice.
Two out of every three of us are overweight. Cases of diabetes are exploding, especially amongst our younger population. About half of us are taking at least one prescription drug. Major medical operations have become routine, helping to drive health care costs to astronomical levels. Heart disease, cancer and stroke are the country's three leading causes of death, even though billions are spent each year to "battle" these very conditions. Millions suffer from a host of other degenerative diseases.
Could it be there's a single solution to all of these problems? A solution so comprehensive but so utterly straightforward, that it's mind-boggling that more of us haven't taken it seriously?
FORKS OVER KNIVES examines the profound claim that most, if not all, of the so-called "diseases of affluence" that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods. The major storyline in the film traces the personal journeys of a pair of pioneering yet under-appreciated researchers, Dr. T. Colin Campbell and Dr. Caldwell Esselstyn.
MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks' main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM time slot on MSNBC, Cenk's uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the very nexus of the battle between new and old media, and makes MAD AS HELL not only entertaining, but incredibly timely as well.