Colección definitiva (Deluxe)

Alejandro SanzNovember 11, 2011
Pop℗ 2011 Warner Music Benelux B.V.
346
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Songs
ArtistPopularity
1
Corazón partío5:43Alejandro Sanz
2
¿Lo ves?3:49Alejandro Sanz
3
Amiga mía4:50Alejandro Sanz
4
Mi soledad y yo4:59Alejandro Sanz
5
Mi primera canción4:35Alejandro Sanz
6
Y, ¿Si fuera ella?5:23Alejandro Sanz
7
Quiero morir en tu veneno4:02Alejandro Sanz
8
Aquello que me diste4:45Alejandro Sanz
9
Si tú me miras4:17Alejandro Sanz
10
Viviendo deprisa3:19Alejandro Sanz
11
La fuerza del corazón5:07Alejandro Sanz
12
Cómo te echo de menos3:59Alejandro Sanz
13
Pisando fuerte4:29Alejandro Sanz
14
Se le apagó la luz4:47Alejandro Sanz
15
Looking for Paradise (feat. Alicia Keys)4:30Alejandro Sanz
16
Quisiera ser5:28Alejandro Sanz
17
A la primera persona5:01Alejandro Sanz
18
Te lo agradezco, pero no4:37Alejandro Sanz
19
No es lo mismo5:59Alejandro Sanz
20
Nuestro amor será leyenda4:38Alejandro Sanz
21
Cuando nadie me ve5:08Alejandro Sanz
22
Try to Save Your Song3:43Alejandro Sanz
23
Desde cuando3:55Alejandro Sanz
24
Enséñame tus manos3:51Alejandro Sanz
25
El alma al aire5:56Alejandro Sanz
26
Lola Soledad3:33Alejandro Sanz
27
Regálame la silla donde te esperé4:50Alejandro Sanz
28
Tú no tienes alma3:58Alejandro Sanz
29
Sin que se note4:26Alejandro Sanz
30
La tortura3:33Alejandro Sanz
31
Volvera3:01Alejandro Sanz
32
Adoro (con Alejandro Sanz)4:22Armando Manzanero
33
Hay días (Dueto 2007) (feat. Alejandro Sanz)3:34Miguel Bose
34
Grande (Spanish Version)4:56Paolo Vallesi
35
Cai (con Niña Pastori)5:12Alejandro Sanz
36
La Fuerza Del Corazon (feat. Raphael)5:12Alejandro Sanz
37
The Hardest Day (con the Corrs)4:41Alejandro Sanz
38
Quiero estar solo (feat. Jeros-Los Chichos)5:05Alejandro Sanz
39
Solo que me falta (feat. Alexandre Pires)4:52Alejandro Sanz
40
El aprendiz (feat. Malú en directo)5:33Alejandro Sanz
41
La quiero a morir (con Alejandro Sanz)3:19Jarabe De Palo
42
Sozinho3:02Alejandro Sanz
43
Para que tu no llores5:16Antonio Carmona con Alejandro Sanz
44
Y sera verdad (feat. Vicente Amigo y Enrique Morente)5:00Alejandro Sanz
45
Me vestí de silencio3:58Alejandro Sanz
46
Tu corazon (A duo con Alejandro Sanz)4:44Lena
47
La vida es un espejo4:16Alejandro Sanz
48
Llegaste (Vieste - feat. Ivan Lins)4:20Alejandro Sanz
49
Lola Soledad (con Joaquín Sabina)3:34Alejandro Sanz
50
Eso (con Omara Portuondo)4:21Alejandro Sanz
51
Vuela (con Alejandro Sanz)4:07Sara Vega
52
Dale al aire3:46Alejandro Sanz
53
Sábanas de seda (Homenaje a Javier Krahe)4:46Alejandro Sanz
54
Poema XV1:13Alejandro Sanz
55
Dame tu amor (feat. Vainica Doble)4:59Alejandro Sanz
4.6
346 total
5
4
3
2
1
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Additional Information

Tracks
55
Released
December 13, 2011
Label
℗ 2011 Warner Music Benelux B.V.
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Like clockwork, Spanish superstar Alejandro Sanz has been releasing a new studio album every three years for the past fifteen. 2012's La Música No Se Toca is the successor to 2009's Paraíso Express, and it introduces one significant change in Sanz's career: namely that he changed records labels after spending more than 20 years with Warner Bros, ever since his 1990 solo debut Viviendo Deprisa. Sanz's switching allegiance to Universal may have to do with the fact that, in times of decreasing record sales and mounting competition at home from all those "Operación Triunfo" young alumni, his last two albums did not perform as well as expected. Perhaps for the same reason, this time around Sanz refrains from the genre experiments and high-profile duos of No Es Lo Mismo, El Tren de Los Momentos, or Paraíso Express, which included stabs at reggaeton, some political content, and guests such as Calle 13, Shakira, Alicia Keys, Juanes, Maná, or Carlos Baute. Instead, he prefers to play to his strengths and deliver a collection that makes sure to touch all the bases of his now patented singing and songwriting style. This includes plenty of romantic ballads ("Mi Marciana," "Para Decirle Adiós"), and midtempo numbers with a slight flamenco groove ("Me Sumerjo," "Camino de Rosas"), all armed with rousing choruses and defiantly sung in his trademark, rootsy Andalusian voice. Both leading singles "No Me Compares" (automatically nominated in two Latin Grammy categories upon its release) and "Se Vende" are good examples of Sanz's approach to La Música No Se Toca, but in truth, almost any song could have been chosen instead, as they are largely cut from the same cloth. The only exceptions are the few uptempo selections thrown in to stir things up, like the opener "La Música no Se Toca," which promises a different, more rebellious kind of album that never materializes; the snarling rock of "Llamando a la Mujer Acción," and the closer "Down," featuring American rapper Fat Joe. Production by Colombian Julio Reyes is typically immaculate, but overall, La Música No Se Toca is ultimately an album that will not make people change their minds about Alejandro Sanz: those who find his songs inspiring will find much to like, and those who reckon his writing and arrangements are a tad trite will do better to stay away. The formula, however, still seems to work, as La Música No Se Toca debuted at the top of the charts in Spain and several other countries worldwide, quickly reaching double platinum status. [A CD/DVD version was also released.]
Like clockwork, Spanish superstar Alejandro Sanz has been releasing a new studio album every three years for the past fifteen. 2012's La Música No Se Toca is the successor to 2009's Paraíso Express, and it introduces one significant change in Sanz's career: namely that he changed records labels after spending more than 20 years with Warner Bros, ever since his 1990 solo debut Viviendo Deprisa. Sanz's switching allegiance to Universal may have to do with the fact that, in times of decreasing record sales and mounting competition at home from all those "Operación Triunfo" young alumni, his last two albums did not perform as well as expected. Perhaps for the same reason, this time around Sanz refrains from the genre experiments and high-profile duos of No Es Lo Mismo, El Tren de Los Momentos, or Paraíso Express, which included stabs at reggaeton, some political content, and guests such as Calle 13, Shakira, Alicia Keys, Juanes, Maná, or Carlos Baute. Instead, he prefers to play to his strengths and deliver a collection that makes sure to touch all the bases of his now patented singing and songwriting style. This includes plenty of romantic ballads ("Mi Marciana," "Para Decirle Adiós"), and midtempo numbers with a slight flamenco groove ("Me Sumerjo," "Camino de Rosas"), all armed with rousing choruses and defiantly sung in his trademark, rootsy Andalusian voice. Both leading singles "No Me Compares" (automatically nominated in two Latin Grammy categories upon its release) and "Se Vende" are good examples of Sanz's approach to La Música No Se Toca, but in truth, almost any song could have been chosen instead, as they are largely cut from the same cloth. The only exceptions are the few uptempo selections thrown in to stir things up, like the opener "La Música no Se Toca," which promises a different, more rebellious kind of album that never materializes; the snarling rock of "Llamando a la Mujer Acción," and the closer "Down," featuring American rapper Fat Joe. Production by Colombian Julio Reyes is typically immaculate, but overall, La Música No Se Toca is ultimately an album that will not make people change their minds about Alejandro Sanz: those who find his songs inspiring will find much to like, and those who reckon his writing and arrangements are a tad trite will do better to stay away. The formula, however, still seems to work, as La Música No Se Toca debuted at the top of the charts in Spain and several other countries worldwide, quickly reaching double platinum status. [A CD/DVD version was also released.]
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