Underground Luxury

Explicit
B.o.BDecember 17, 2013
Hip-Hop/Rap℗ 2013 Atlantic Recording Corporation For the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company
1,986
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Underground Luxury is the third studio album by American rapper B.o.B. The album was released on December 17, 2013, by Grand Hustle Records, Rebel Rock Entertainment and Atlantic Records. The album was supported by five singles "We Still in This Bitch", "HeadBand", "Ready", "John Doe" and "Throwback". The album features guest appearances from Future, 2 Chainz, T.I., Juicy J, Priscilla Renea, Ester Dean and Chris Brown among others.
Underground Luxury received generally mixed reviews from music critics. The album debuted at number 22 on the Billboard 200 chart, selling 35,000 copies in its first week of release. The album was certified gold by the RIAA August 5, 2016.

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Songs
Popularity
1
All I Want3:40
2
One Day4:45
3
Paper Route3:32
4
Ready (feat. Future)3:39
5
Throwback (feat. Chris Brown)4:00
6
Back Me Up3:31
7
Coastline3:39
8
Wide Open (feat. Ester Dean)2:33
9
FlyMuthaF**ka4:03
10
HeadBand (feat. 2 Chainz)3:40
11
John Doe (feat. Priscilla)3:32
12
Cranberry Moonwalk (feat. Mike Fresh)4:46
13
Nobody Told Me3:23
14
Forever (feat. Playboy Tre)4:34
15
We Still in This Bitch (feat. T.I. And Juicy J)4:08
4.4
1,986 total
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Additional Information

Tracks
15
Released
December 17, 2013
Label
℗ 2013 Atlantic Recording Corporation For the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]
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