It's My Way

Buffy Sainte-MarieJune 15, 1964
Folk℗ 2006 Vanguard Records
4
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It’s My Way! is the first album by folk singer Buffy Sainte-Marie. Though the album did not chart it proved influential in the folk community. It is most famous for two widely covered folk standards, "Universal Soldier" and "Cod'ine", as well as "Now That the Buffalo's Gone", a lament about the continued confiscation of Indian lands, as evidenced by the building of the Kinzua Dam in about 1964. The cover features a mouthbow, which was to be a trademark of her sound on her first three albums.
Cod'ine was also lyrically altered by Janis Joplin and appears on This is Janis Joplin 1965.
In 2016, It's My Way! was inducted by the Library of Congress into the National Recording Registry.

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Songs
Popularity
1
Now That The Buffalo's Gone2:51
2
The Old Man's Lament4:02
3
Ananias2:40
4
Mayoo Sto Hoon1:25
5
Cod'ine5:07
6
Cripple Creek1:50
7
Universal Soldier2:20
8
Babe In Arms2:35
9
He Lived Alone In Town4:42
10
You're Gonna Need Somebody On Your Bond2:50
11
The Incest Song4:19
12
Eyes Of Amber2:21
13
It's My Way3:33

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Additional Information

Genres
Folk
Total length
40:35
Tracks
13
Released
January 1, 2006
Label
℗ 2006 Vanguard Records
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
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Buffy Sainte-Marie Albums

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Medicine Songs
Buffy Sainte-Marie
Medicine Songs is a studio album by Buffy Sainte-Marie, released November 10, 2017 on True North Records. The album includes both new material and contemporary re-recordings of some of her older songs.
It was preceded by the single "You Got to Run", a collaboration with Tanya Tagaq.
Power In The Blood
Buffy Sainte-Marie
Power in the Blood is the fifteenth studio album by Buffy Sainte-Marie, released May 12, 2015 on True North Records.
The album includes both new material and contemporary re-recordings of some of her older songs. The title track is a cover of Alabama 3's song "Power in the Blood", from their 2002 album Power in the Blood.
Running For The Drum
Buffy Sainte-Marie
Running for the Drum is the fourteenth studio album by Buffy Sainte-Marie, released in 2008. One of Sainte-Marie's more successful albums, it spawned one single with "No No Keshagesh". Sainte-Marie also rewrote two verses of "America The Beautiful".
Up Where We Belong
Buffy Sainte-Marie
Up Where We Belong is an album that was won the award for Best Music of Aboriginal Canada Recording in the 1997 Juno Awards.
Coincidence and Likely Stories
Buffy Sainte-Marie
Coincidence and Likely Stories was the thirteenth studio album by Buffy Sainte-Marie but her first in sixteen years, during which time she had been raising her son and working on the children's television show Sesame Street. The album itself was largely recorded at Sainte-Marie's home before being sent to producer Chris Birkett for the final production and mixing in London.
The album showed her continuing with the electronic music she had first developed on Illuminations and the tribal themes seen on Sweet America, her last pre-retirement album.
Although the album received some very favourable reviews and was often seen as her best work since Illuminations, it failed to make any impression in the United States. Coincidence and Likely Stories became her only album to chart in the UK, and featured two minor hit singles there.
The album title itself comes from the first line of the song "Disinformation":
Coincidence and likely stories/they dog your trail like a pack of lies
"Bury My Heart at Wounded Knee" was covered by Indigo Girls for their album 1200 Curfews.
Quiet Places
Buffy Sainte-Marie
Quiet Places is Buffy Sainte-Marie's ninth album and her last for Vanguard Records, with whom she had had a very strained relationship ever since the financial disaster of the experimental Illuminations. In fact, her next album, Buffy, had already been recorded before Quiet Places was actually released and was not to find a label for many months after she had completely broken with Vanguard.
Musically, Quiet Places covered similar territory to her previous album, and was again recorded in Nashville with Norbert Putnam co-producing and such session stalwarts as the Memphis Horns and keyboardist David Briggs backing her voice and guitar. Sainte-Marie's dislike of the promotion for "Mister Can't You See" from her previous album caused Vanguard not to release any singles from the album. A single "I Wanna Hold Your Hand Forever"/"Jeremiah" was issued in May, but it failed to chart. Its B-side had been included on Moonshot, but its A-side had not been included on any album nor on the CD reissue in 2001. Quiet Places thus not unexpectedly failed to dent the Billboard Top 200.
Moonshot
Buffy Sainte-Marie
Moonshot a studio album by Canadian singer-songwriter Buffy Sainte-Marie, released in 1972 by Vanguard Records.
She Used To Wanna Be A Ballerina
Buffy Sainte-Marie
She Used to Wanna Be a Ballerina is the seventh album by Buffy Sainte-Marie, released in 1971.
Her previous album Illuminations having sold so poorly as to lose Vanguard a considerable sum of money, the label placed considerable pressure on Sainte-Marie to come up with something that would sell in larger numbers. To this effect, She Used to Wanna Be a Ballerina was recorded with guitar from Ry Cooder and Neil Young and assistance from the latter's backing band Crazy Horse. There was also a change in focus of the material: covers of contemporary songs, which she had almost never recorded before, accounted for five of the eleven songs. Vanguard boss Maynard Solomon, who had produced her first five albums and most of Illuminations, surrendered production duties completely to Neil Young producer Jack Nitzsche, who was later to marry Sainte-Marie after she wrote "Up Where We Belong" with him in the early 1980s.
This label-driven effort to achieve increased commercial success did briefly pay off when "Soldier Blue", the theme song from the movie of the same name reached number 7 in the UK Singles Chart and was a hit throughout Europe.
Illuminations
Buffy Sainte-Marie
Illuminations, released in 1969, is the sixth album by Buffy Sainte-Marie. Though most of the tracks did away with the backing she had used on her previous two albums, Illuminations had a completely different sound from anything she had previously done. From a basis of vocals and acoustic guitar, Sainte-Marie and producer Maynard Solomon used electronic synthesisers to create a sound that was much more experimental music than folk. Indeed, Illuminations was the first quadrophonic vocal album ever made, and on songs like the album's only single "Better to Find Out Yourself", her voice is completely altered by a Buchla synthesiser.
Peter Schickele, however, did provide arrangements to "Mary", "Adam" and "The Angel", whilst the four tracks "Suffer the Little Children", "With You, Honey", "Guess Who I Saw in Paris" and "He's A Keeper of the Fire" were her first work to be not produced by Vanguard boss Maynard Solomon. Instead, they had a stripped-down rock sound and were produced by little known folk-jazz songwriter Mark Roth. Bob Bozina played guitar, John Craviotta drums and percussion, and Rick Oxendine played bass.
Little Wheel Spin And Spin
Buffy Sainte-Marie
Little Wheel Spin and Spin is the third album by Buffy Sainte-Marie, released in 1966. It was her only album to reach the Billboard 200. Its most famous song is "My Country 'Tis of Thy People You're Dying", which displayed a native perspective on the colonisation of North America.
In contrast to her first two albums which were entirely acoustic with occasional use of her distinctive mouthbow, parts of Little Wheel Spin and Spin added electric guitar by Bruce Langhorne and string arrangements by Felix Pappalardi, or feature fellow Native American performer Patrick Sky on guitar with Sainte-Marie. This served to pave the way for Sainte-Marie's stylistic experiments on her remaining Vanguard albums, where she covered territory ranging from country to rock to experimental music.
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