A Rush Of Blood To The Head

ColdplayJanuary 1, 2002
'00s Rock℗ 2002 Parlophone Records Ltd, a Warner Music Group Company
3,532
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A Rush of Blood to the Head is the second studio album by British rock band Coldplay. It was released on 26 August 2002 by Parlophone in the United Kingdom, and a day later by Capitol Records in the United States. The album was produced by the band and producer Ken Nelson. Recording started after the band became popular worldwide with the release of their debut album Parachutes, and one of its singles in particular, "Yellow". The album makes greater use of the electric guitar and piano than its predecessor.
The album topped the UK Albums Chart upon its first week of release in the United Kingdom, and became the eighth biggest-selling album of the 21st century in the UK. The British Phonographic Industry has since certified the album 9× Platinum for its accumulated sales of over 2.9 million units in the UK and the album has sold 14 million copies worldwide. The album spawned the hit singles "In My Place", "The Scientist", and "Clocks". "God Put A Smile Upon Your Face" was also released, but was significantly less successful.

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Songs
Popularity
1
Politik5:18
2
In My Place3:46
3
God Put a Smile Upon Your Face4:57
4
The Scientist5:11
5
Clocks5:07
6
Daylight5:27
7
Green Eyes3:43
8
Warning Sign5:31
9
A Whisper3:58
10
A Rush of Blood to the Head5:51
11
Amsterdam5:19
4.7
3,532 total
5
4
3
2
1
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Additional Information

Total length
54:08
Tracks
11
Released
January 1, 2002
Label
℗ 2002 Parlophone Records Ltd, a Warner Music Group Company
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Coldplay retain the expansive sound palette of 2008’s Viva La Vida, bring in some dance-rock elements and up the energy level considerably on a futuristic concept album that finds them offering solace in an often scary and uncaring world (or, as Chris Martin elegantly states in “Up With the Birds,” this is music that provides “a spark in a sea of gray”). As usual with concept LPs from Ziggy Stardust and The Wall to American Idiot, it’s best to forget about any concrete narrative and just follow the emotional arc of the songs; ever the optimist, Chris Martin’s bleak post-Blade Runner dystopia seems to have a happy ending. Leadoff single “Every Tear is a Waterfall” – which includes a cutting Edge-style rhythm guitar assault – may just be the most glorious of many U2-ish arena anthems on the album. Likewise, while even the most mainstream Coldplay fans may see the appearance of leggy pop temptress Rihanna on “Princess of China” as an unsubtle grab at the rock-free global pop market, the constant presence of sonic guru Brian Eno helps keep alive their itchy rock links to the increasingly hermetic Radiohead. Coldplay did not approach this album casually; they know they’re now the world’s biggest rock band and made sure Mylo Xyloto cements their position at the top. To the band’s credit, it probably didn’t have to be this good to be just as successful. Mylo Xyloto is like a Christopher Nolan movie; it’s a creatively executed blockbuster that deserves its box office success.
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