Hunky Dory (2015 Remastered Version)

David BowieDecember 17, 1971
Rock℗ 2015 Jones/Tintoretto Entertainment Co, LLC under exclusive license to Parlophone Records Ltd, a Warner Music Group Company
188
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Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic's Stephen Thomas Erlewine as having "a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class".
The album has received critical acclaim since its release, and is regarded as one of Bowie's best works. Time chose it as part of their "100 best albums of all time" list in January 2010, with journalist Josh Tyrangiel praising Bowie's "earthbound ambition to be a boho poet with prodigal style". The style of the album cover, designed by George Underwood, was influenced by a Marlene Dietrich photo book that Bowie took with him to the photo shoot.

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Songs
Popularity
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Changes (2015 Remastered Version)3:37
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Oh! You Pretty Things (2015 Remastered Version)3:14
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Eight Line Poem (2015 Remastered Version)2:55
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Life On Mars? (2015 Remastered Version)3:56
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Kooks (2015 Remastered Version)2:53
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Quicksand (2015 Remastered Version)5:06
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Fill Your Heart (2015 Remastered Version)3:10
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Andy Warhol (2015 Remastered Version)3:54
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Song For Bob Dylan (2015 Remastered Version)4:13
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Queen Bitch (2015 Remastered Version)3:20
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The Bewlay Brothers (2015 Remastered Version)5:29
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Additional Information

Tracks
11
Released
September 25, 2015
Label
℗ 2015 Jones/Tintoretto Entertainment Co, LLC under exclusive license to Parlophone Records Ltd, a Warner Music Group Company
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Starting in 2002, David Bowie released two excellent albums in quick succession with old friend Tony Visconti (the brooding Heathen and the more rocking Reality) that showcased a refreshed and reinvigorated artist. Neither of these were the reputation-changers they deserved to be but funny how emergency heart surgery and a decade spent out of the public eye reverses the blasé attitudes of both public and press.

Taken as a complete experience, The Next Day comes off as a rebellion against everything in current pop. The album was recorded very quickly, without fuss (which, truth to tell, is the usual Bowie way of working) and the songs don't outstay their welcome. Instead of riding on endless grooves provided by industry insiders, Bowie once again works with Visconti and gathers old friends on songs that have a jagged, live-in-the-studio feel. Records may just be promos for monster, money-making tours now but Bowie isn't doing concerts. The internet gives us non-stop celebrity culture, but Bowie isn't talking—so there aren't any interviews with the warm, witty Cockney to contrast against the regal, iconic alien.

Spiky and agitated without coming off as bitter, the album hurtles out of the gate with the title track, slows down on the caustic "Dirty Boys" and jumbles celebrity and mortality on "The Stars (Are Out Tonight)." The majority of the songs here are lean rockers, with Station to Station's Earl Slick juggling the lead guitar slot with David Torn. Sometimes the songs brush past previous works (is that the drum intro to "Five Years" ending "You Feel So Lonely You Could Die"?) but this is an album about the rush to a future we know isn't going to end well for any of us. The elegiac love song "Where Are We Now?" treats memories like the walking dead and holds on to loved ones in the here and now. David Bowie doesn't pretend to have any answers with The Next Day but he still pushes ahead because that is what artists do -- they create. Instead of leaving you feeling empty, listening to this dark album is a strangely satisfying, enlivening experience. – Nick Dedina, Google Play
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