Let's Dance

David BowieApril 14, 1983
'80s Rock℗ 1999 Digital Remaster ℗ 1999 The Copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive licence to Parlophone Records Ltd
658
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Let's Dance is the 15th studio album by David Bowie. It was originally released in April 1983, almost three years after his previous album, Scary Monsters. Co-produced by Chic's Nile Rodgers, the album contains three of his most successful singles; the title track, "Let's Dance", which reached No. 1 in the UK, US and various other countries, as well as "Modern Love" and "China Girl", which both reached No. 2 in the UK. "China Girl" was a new version of a song that Bowie had co-written with Iggy Pop for the latter's 1977 album The Idiot. It also contains a re-recorded version of the song "Cat People", which had reached number one in New Zealand, Norway and Sweden a year earlier.
Let's Dance was nominated for the Album of the Year Grammy Award in 1984 but lost to Michael Jackson's Thriller. It has sold 10.7 million copies worldwide, making it Bowie's best-selling album. It is Bowie's eighteenth official album release since his debut in 1967, including two live albums, one covers album, and a collaboration with the Philadelphia Orchestra.

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Songs
Popularity
1
Modern Love4:48
2
China Girl (1999 Remaster)5:33
3
Let's Dance7:37
4
Without You (1999 Remaster)3:10
5
Ricochet (1999 Remaster)5:13
6
Criminal World (1999 Remaster)4:24
7
Cat People (Putting out Fire) [1999 Remaster]5:09
8
Shake It (1999 Remaster)3:49
4.6
658 total
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Additional Information

Total length
39:43
Tracks
8
Released
June 11, 2008
Label
℗ 1999 Digital Remaster ℗ 1999 The Copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive licence to Parlophone Records Ltd
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Starting in 2002, David Bowie released two excellent albums in quick succession with old friend Tony Visconti (the brooding Heathen and the more rocking Reality) that showcased a refreshed and reinvigorated artist. Neither of these were the reputation-changers they deserved to be but funny how emergency heart surgery and a decade spent out of the public eye reverses the blasé attitudes of both public and press.

Taken as a complete experience, The Next Day comes off as a rebellion against everything in current pop. The album was recorded very quickly, without fuss (which, truth to tell, is the usual Bowie way of working) and the songs don't outstay their welcome. Instead of riding on endless grooves provided by industry insiders, Bowie once again works with Visconti and gathers old friends on songs that have a jagged, live-in-the-studio feel. Records may just be promos for monster, money-making tours now but Bowie isn't doing concerts. The internet gives us non-stop celebrity culture, but Bowie isn't talking—so there aren't any interviews with the warm, witty Cockney to contrast against the regal, iconic alien.

Spiky and agitated without coming off as bitter, the album hurtles out of the gate with the title track, slows down on the caustic "Dirty Boys" and jumbles celebrity and mortality on "The Stars (Are Out Tonight)." The majority of the songs here are lean rockers, with Station to Station's Earl Slick juggling the lead guitar slot with David Torn. Sometimes the songs brush past previous works (is that the drum intro to "Five Years" ending "You Feel So Lonely You Could Die"?) but this is an album about the rush to a future we know isn't going to end well for any of us. The elegiac love song "Where Are We Now?" treats memories like the walking dead and holds on to loved ones in the here and now. David Bowie doesn't pretend to have any answers with The Next Day but he still pushes ahead because that is what artists do -- they create. Instead of leaving you feeling empty, listening to this dark album is a strangely satisfying, enlivening experience. – Nick Dedina, Google Play
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