Just Beyond the River

James YorkstonSeptember 20, 2004
Country℗ 2004 Domino Recording Co Ltd
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Just Beyond the River is the second studio album by James Yorkston and the Athletes. It was released in October 2004. The album was released on 12" vinyl and on CD, initial copies of the CD came with a 3-track CD of folk standards and original compositions. The album was produced by Kieran Hebden.

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Songs
1
Heron5:04
2
Shipwreckers3:03
3
Surf Song4:36
4
Hermitage4:40
5
Hotel6:25
6
This Time Tomorrow2:08
7
Banjo #13:35
8
We Flew Blind4:28
9
Edward6:09
10
Banjo #23:46
11
The Snow It Melts The Soonest5:41
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Additional Information

Genres
Total length
49:39
Tracks
11
Released
November 16, 2004
Label
℗ 2004 Domino Recording Co Ltd
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
With help from part of the Talk Talk clan, producer Paul Webb and engineer Phill Brown, former hard rocker from Fife James Yorkston's third full-length album is easily his warmest and most accessible folk offering. Gently rolling opener "Summer Song" is nearly a blueprint of the album as a whole; Yorkston harmonizes dolefully for three-quarters of the track with spare backing, and then a clarinet and double bass wall infuses warmth and makes the world well. Gorgeous standout "Steady as She Goes" picks up right where the opener leaves off, with Yorkston alternating between a confessional talky Arab Strap voice and a falsetto that drifts evocatively around strings, mandolins, a weepy harmonica, and train-like brushed drums. He returns to spoken word delivery with the slow-burning and spooky "The Brussels Rambler" and the autobiographical "Woozy with Cider," where he wonders aloud if his music will eventually make him rich over an organic pastiche reminiscent of Steve Reich. The influence and hands of Webb and Brown are omnipresent, particularly in the spare plucking of "Orgiva Song," which suggests the meeting place of Bert Jansch and Mark Hollis. Just as he brought an experimental, modern touch to his collaborative work with Beth Gibbons, Webb helps Yorkston here to straddle multiple genres, from indie rock to introspective jazz all in a base of traditional acoustic folk. The album is a brittle, introspective affair, but it's brimming with perfectly timed moments of emotional release, beautiful atmosphere courtesy of Webb's masterful oversight, expert folk playing, and Yorkston's rich voice, poetic delivery, and unerring songwriting. It's simultaneously cool yet soul-revealing, sparse yet full, experimental yet grounded, and mournful yet uplifting. The Year of the Leopard is James Yorkston at his very best.
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