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For all the talk that The xx's second album would be more influenced by the beat-driven remix and production work that band member Jamie Smith has done since 2009's self-titled debut, Coexist sticks largely to the UK indie-electronic trio's already well-established strength: restraint. As ever, The xx mine a vein of minimalism in which the smallest moves make massive impacts: a sliding, single-string guitar lead or bobbing bass line; the inviting space in-between Smith's spare but kinetic beats; the sensual tension between Romy Madley Croft and Oliver Sim's gently tug-of-warring vocals. There are fresh elements here—the wavering steel drums and muffled, clacking beat of "Reunion," the resounding piano chords on "Swept Away"—and maybe some new confidence to Croft and Sim's singing—but for the most part Coexist doubles down and further distills The xx's singularly subtle allure.