Believe

Explicit
DisturbedSeptember 17, 2002
Hard Rock℗ 2002 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.
422
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Believe is the second studio album by American heavy metal band Disturbed, released on September 17, 2002 by Reprise Records. Produced by the band and Johnny K, it focuses heavily on religious and spiritual themes inspired by recent tragedies. With greater emphases on melodic dynamics, it also demonstrates a broadening in the band's musical range compared to their 2000 debut The Sickness. Believe was the last album to feature original bassist Steve "Fuzz" Kmak before he was fired from the band in 2003.
Believe debuted at number one on the US Billboard 200, making it Disturbed's first number-one debut, selling over 284,000 copies in its first week of sales. It was certified double platinum by the RIAA in the United States on September 23, 2008. Three singles were released from the album: "Prayer", "Remember", and "Liberate".

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Songs
Popularity
1
Prayer3:38
2
Liberate3:26
3
Awaken4:29
4
Believe4:27
5
Remember4:08
6
Intoxication3:11
7
Rise3:55
8
Mistress3:45
9
Breathe4:19
10
Bound3:51
11
Devour3:46
12
Darkness3:54
4.8
422 total
5
4
3
2
1
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Additional Information

Tracks
12
Released
July 1, 2008
Label
℗ 2002 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
Some of rock's idealists would have listeners believe that every artist who comes along is obligated to be totally original. But realistically, any genre of music -- be it rock, jazz, R&B, country, or Dominican merengue -- is bound to have its leaders as well as its followers. Innovators who come up with something that's totally fresh -- which could be anyone from Charlie Parker to the Sex Pistols to Astor Piazzolla to the outrageously eclectic Nellie McKay -- deserve applause, but the more derivative artists shouldn't be condemned if they're skillful at what they do. Take Breaking Benjamin, for example. We Are Not Alone, the Pennsylvania post-grunge foursome's second full-length album, is every bit as derivative as their previous release, Saturate. Sure, Breaking Benjamin tends to be slightly heavier than Creed, Third Eye Blind, and other melodic post-grunge bands they're frequently compared to; they do, in fact, incorporate traces of alt-metal favorites Tool and Korn (minus the latter's hip-hop obsession). But at the end of the day, Breaking Benjamin is still a very derivative post-grunge band -- and like Default and 3 Doors Down (two other frequent comparisons), they do such an enjoyably skillful job of being a derivative post-grunge band that one cannot help but give it up for them (unless he/she is among the musical ideologues who hate them on principle because they aren't trying to reinvent the alterna-rock wheel). We Are Not Alone (which contains three songs that were co-written with the Smashing Pumpkins' Billy Corgan) won't win any awards for innovation, but in terms of quality and craftsmanship -- as well as warmth and feeling -- Breaking Benjamin generally delivers the goods. We Are Not Alone might give you a sense of "been there, done that," but it's still a respectable footnote in the incredibly crowded post-grunge field.
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