Eco Di Sirene

Carmen ConsoliApril 13, 2018
Pop℗ 2018 Narciso Records
14
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Disc 1

Songs
1
Uomini Topo3:36
2
Parole Di Burro4:35
3
Mio Zio3:36
4
Mandaci Una Cartolina3:49
5
Pioggia D'Aprile3:39
6
L'Ultimo Bacio3:28
7
AAA Cercasi3:50
8
Eco Di Sirene4:29
9
Sulle Rive Di Morfeo4:19
10
L'Eccezione3:40
11
Amore Di Plastica3:24

Disc 2

Songs
1
Tano4:09
2
Fiori D'Arancio4:07
3
Perturbazione Atlantica4:11
4
'A Finestra4:50
5
In Bianco E Nero4:37
6
Maria Catena4:35
7
La Notte Più Lunga4:04
8
Il Sorriso Di Atlantide4:23
9
Blunotte4:26
10
Sud Est3:55
11
Venere4:09
4.8
14 total
5
4
3
2
1
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Additional Information

Genres
Total length
1:30:01
Released
April 13, 2018
Label
℗ 2018 Narciso Records
File type
MP3
Access type
Streaming and by permanent download to your computer and/or device
Internet connection
Required for streaming and downloading
Playback information
Via Google Play Music app on Android v4+, iOS v7+, or by exporting MP3 files to your computer and playing on any MP3 compatible music player
With her fifth album, L'Eccezione (2002), Carmen Consoli began changing her style in ways that alarmed some fans, as she drifted away from the guitar rock and feminine rage of her earlier albums. The change in style that began with L'Eccezione was then made complete with her sixth album, Eva Contro Eva (2006), an earthy folk-inflected album with traditional acoustic instrumentation and outward-looking lyrics that alienated some rock-oriented fans yet was warmly received by most. Elettra is another full-length effort in the style of Eva Contro Eva, and it should delight anyone enamored with that album's turn toward acoustic instrumentation. There are some subtle differences between the two albums worthy of note. In particular, Elettra is a bit more subdued overall, with slower tempos, more gently strummed guitars, and more hushed vocals. While there are a few uptempo songs sequenced intermittently that liven up the proceedings, namely "Mio Zio," "A Finestra," and "Elettra," most of the album is similar in style to the mellow lead single, "Non Molto Lontano da Qui." As always, Consoli shines as a singer/songwriter, demonstrating remarkable control of her voice, expressing a wide range of emotions, and delivering a set of thoughtful lyrics with sincerity and deep passion. The difference from earlier albums is that she's in the midst of a new phase in her career, one that began with L'Eccezione and was made complete on Eva Contro Eva. The contrast between this phase of her career and that of a decade prior was made explicit recently when Universal Music released a ten-year anniversary double-disc deluxe edition of Consoli's third album, Mediamente Isterica (1998), an important stepping stone in her rise to mainstream breakthrough success with Stato di Necessità (2000). The Consoli of Mediamente Isterica -- a punky guitar rocker who at the time was compared to PJ Harvey by some critics -- is a world apart from the one heard here, and while some fans might long for a return to form, this new phase in her career is brilliant in its own right. Like PJ Harvey, Consoli has proven over the years that she's unafraid of changing direction at will and following her muse, and the subdued acoustic style of Elettra -- not only full of lyrical riches but also peaceful, melodic, and mature from a musical standpoint -- is a welcome development that feels like a natural progression from Eva Contro Eva.
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