"Fun" seems to be at the top of the band's agenda, though, and Perfect Symmetry succeeds in doing away with most of the pre-conceived notions that accompany Keane records. The "old" sound doesn't even surface until midway through the album, when the album's title track offers up a combination of sparse piano notes (later giving way to dense, double-fisted arpeggios) and a meteoric chorus. But that's the exception, not the rule, and Perfect Symmetry sounds more comfortable during its truly unexpected moments: the spacy blips and bleeps of "You Haven't Told Me Anything," the synthesized anthem "Again and Again," and the energetic "Wooooooh!" that opens the entire album. The band's biggest strength remains Chaplin's ability to turn a melodic phrase with grace and dexterity, which fails to lose its vitality no matter the musical context, but Keane's willingness to take these left-hand turns deserves its own share of applause.
Andrew Leahey, Rovi