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May 5, 2017
℗ 2017 Matador Records Limited
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No Shape is the fourth studio album by American singer-songwriter Perfume Genius, released on May 5, 2017, through Matador Records as the follow up to Too Bright.
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Just Like Love
Die 4 You
Run Me Through
May 5, 2017
℗ 2017 Matador Records Limited
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My Woman is the third studio album by the American singer-songwriter Angel Olsen, released on September 2, 2016 on Jagjaguwar Records. Produced by Olsen and Justin Raisen, the album was accompanied by music videos for the tracks, "Intern", "Shut Up Kiss Me", and "Sister" all co-directed or directed by Olsen.
Are You Alone?
Are You Alone? is the fourth and final studio album from Canadian pop duo Majical Cloudz, released on October 16, 2015 on Matador Records.
The album was nominated for a Juno Award in 2016.
7 is the seventh studio album by American dream pop band Beach House, released on May 11, 2018, through Sub Pop. It follows the B-Sides and Rarities compilation album released in 2017, which served as a proverbial "cleaning out the closet" to pave the way for a new creative process.
The album saw the group departing from longtime producer Chris Coady and instead collaborating with Sonic Boom, whilst not having a producer "in the traditional sense". The recording of the album lasted over eleven months, as opposed to the speedy process of previous efforts, beginning in the duo's home studio in Baltimore and finishing at Carriage House and Palmetto Studio. 7 received acclaim from music critics, who praised the adventurous nature of the record and the consistency of the band, with some calling it the duo's best album to date.
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Perfume Genius Albums
Too Bright is the third album of the American singer Perfume Genius, released September 23, 2014. The album was given the score of 8.5 by Pitchfork, and was titled Best New Music.
The album charted at number 77 on the UK Album chart and peaked at number 83 in the United States.
Put Your Back N 2 It
Put Your Back N 2 It is the second album by American musician Perfume Genius, released on February 21, 2012.
Perfume Genius is a strangely perfect name for Mike Hadreas' music. Like scent, his songs are delicate but strong, faint yet persistent, and have a deep, almost inexplicable emotional pull. On his debut album, Learning, Hadreas comes across like the kid brother of Antony Hegarty or Xiu Xiu's Jamie Stewart, taking the vulnerability of a singer/songwriter to an extreme with messed-up and heartbreaking stories. Yet, despite Hadreas' shaky, at times barely audible vocals, there’s an ease to his confessions that makes him unique; as uncomfortable as his subjects can be, he doesn’t play them for shock value. Instead, he embraces the disturbing and the heartfelt equally, accepting that caring can be creepy with a matter-of-factness that makes it all the more powerful. Hadreas sings “It’s all part of his plan” over whirling synths on the album closer, “Never Did,” and it’s equally likely that he’s referring to a benevolent higher power or something more tangible and sinister. “Mr. Peterson” sketches out a friendship (possibly more) with a teacher and treats his suicide with evenhanded compassion: “I hope there’s room for you up above or down below.” Learning gives its sometimes hard words soft surroundings, either cushioning them with ethereal synths and music boxes on “No Problem” or allowing his piano to reverberate around them with an almost hymnal quality, as on the bittersweet lullaby “When.” At times Hadreas' songs suggest personal notes or diary entries set to music -- not because they’re too literal, but because of the emotional weight implied in them. He reveals only the smallest but most telling parts of his stories, playing cat and mouse with details and telling gaps: on “Write to Your Brother,” the lyric “Tell him mom treats you like a lover/That you have to hide all the mouthwash from her” says it all. But what makes Hadreas' songwriting remarkable is the empathy he holds for his characters. “Perry” does a chiaroscuro dance between hope and despair, but ends the song with the line “Whatever good is left/Put your trust in it/You know we already have.” As dark as Learning’s songs can get, it always feels like Hadreas wants the best for the people he sings about, and a good, ultimately hopeful kind of sadness permeates nearly every song. Not even half an hour long, Learning shows just what a strong impression music so fragile can make.
Not for Me
When I'm With Him (Perfume Genius Cover)
Run Me Through (King Princess Remix)
Wreath (Kaitlyn Aurelia Smith Remix)
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