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April 20, 2017
℗ 2017 Matador Records Limited
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April 20, 2017
℗ 2017 Matador Records Limited
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Three Futures is the third studio album by Torres, released on September 29, 2017, on 4AD Records. The album was recorded in England. As with Torres' last album Sprinter, Three Futures was produced by Rob Eliis. The album was mixed by David Tolomel.
Front Row Seat To Earth
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The album's cover art was photographed beside the Salton Sea.
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Remind Me Tomorrow
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Remind Me Tomorrow is the fifth studio album by the American singer-songwriter Sharon Van Etten. It was released on January 18, 2019 on Jagjaguwar. A follow-up to Are We There, the album was written while Van Etten was pregnant with her first child, attending school to obtain a degree in psychology and starring in the Netflix series The OA and making a cameo in Twin Peaks.
Perfume Genius Albums
No Shape is the fourth studio album by American singer-songwriter Perfume Genius, released on May 5, 2017, through Matador Records as the follow up to Too Bright.
Too Bright is the third album of the American singer Perfume Genius, released September 23, 2014. The album was given the score of 8.5 by Pitchfork, and was titled Best New Music.
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Put Your Back N 2 It
Put Your Back N 2 It is the second album by American musician Perfume Genius, released on February 21, 2012.
Perfume Genius is a strangely perfect name for Mike Hadreas' music. Like scent, his songs are delicate but strong, faint yet persistent, and have a deep, almost inexplicable emotional pull. On his debut album, Learning, Hadreas comes across like the kid brother of Antony Hegarty or Xiu Xiu's Jamie Stewart, taking the vulnerability of a singer/songwriter to an extreme with messed-up and heartbreaking stories. Yet, despite Hadreas' shaky, at times barely audible vocals, there’s an ease to his confessions that makes him unique; as uncomfortable as his subjects can be, he doesn’t play them for shock value. Instead, he embraces the disturbing and the heartfelt equally, accepting that caring can be creepy with a matter-of-factness that makes it all the more powerful. Hadreas sings “It’s all part of his plan” over whirling synths on the album closer, “Never Did,” and it’s equally likely that he’s referring to a benevolent higher power or something more tangible and sinister. “Mr. Peterson” sketches out a friendship (possibly more) with a teacher and treats his suicide with evenhanded compassion: “I hope there’s room for you up above or down below.” Learning gives its sometimes hard words soft surroundings, either cushioning them with ethereal synths and music boxes on “No Problem” or allowing his piano to reverberate around them with an almost hymnal quality, as on the bittersweet lullaby “When.” At times Hadreas' songs suggest personal notes or diary entries set to music -- not because they’re too literal, but because of the emotional weight implied in them. He reveals only the smallest but most telling parts of his stories, playing cat and mouse with details and telling gaps: on “Write to Your Brother,” the lyric “Tell him mom treats you like a lover/That you have to hide all the mouthwash from her” says it all. But what makes Hadreas' songwriting remarkable is the empathy he holds for his characters. “Perry” does a chiaroscuro dance between hope and despair, but ends the song with the line “Whatever good is left/Put your trust in it/You know we already have.” As dark as Learning’s songs can get, it always feels like Hadreas wants the best for the people he sings about, and a good, ultimately hopeful kind of sadness permeates nearly every song. Not even half an hour long, Learning shows just what a strong impression music so fragile can make.
Eye in the Wall
Not for Me
When I'm With Him (Perfume Genius Cover)
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