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Lil Wayne

Dwayne Michael Carter Jr., known professionally as Lil Wayne, is an American rapper, singer, record executive and actor. His career began in 1993, at the age of 11, when he was discovered by Bryan "Birdman" Williams and joined Cash Money Records as the youngest member of the label, and half of the duo The B.G.'z, alongside fellow New Orleans-based rapper B.G.. In 1996, Lil Wayne and B.G. joined the southern hip hop group Hot Boys, with Cash Money label-mates Juvenile and Turk. Hot Boys debuted with Get It How U Live!, that same year. Most of the group's success came with their platinum-selling album Guerrilla Warfare and the 1999 single "Bling Bling". For many years, he was the flagship artist of Cash Money Records, before ending his long-tenured deal with the company in June 2018.
Lil Wayne's solo debut album Tha Block Is Hot was certified platinum by the Recording Industry Association of America. His subsequent albums, Lights Out and 500 Degreez, went on to be certified gold. Wayne reached higher popularity with his fourth album Tha Carter, which was led by the single "Go D.J." and his appearance on Destiny's Child's Top 10 single "Soldier", that same year.

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	Top Songs	Album
1	Tie My Hands (feat. Robin Thicke)	Tha Carter III	5:19
2	Got Money (Album Version Edited) (feat. T-Pain)	Tha Carter III	4:04
3	Curtains (feat. Boo)	I Am Not A Human Being II (Deluxe)	4:31
4	Best Rapper Alive (Chopped & Screwed)	Tha Carter II (Chopped & Screwed)	4:23
5	Grown Man (Album Version Edited) (feat. Currency)	Tha Carter II	4:06
6	Get A Life (Album Version Edited)	Rebirth	3:12
7	I'm A Dboy (Album Version Edited) (feat. Birdman)	Tha Carter II	4:00
8	Payow	Street Runnaz 31	0:49
9	Beat The S*** (Album Version Edited) (feat. Gunplay)	I Am Not A Human Being II (Deluxe)	4:28
10	Gangsta And Pimps (Album Version Explicit) (feat. Baby)	500 Degreez	4:41

Albums

Tha Carter V is the twelfth studio album by American rapper Lil Wayne. It was released on September 28, 2018, by Young Money Entertainment, Republic Records and Universal Music Group. The album's features include Swizz Beatz, XXXTentacion, Travis Scott, Kendrick Lamar, Sosamann, Lil Wayne's daughter Reginae Carter, lil ShaMat, Snoop Dogg, Nicki Minaj, Ashanti, Mack Maine, and Nivea.
Originally planned to be released in 2014, Tha Carter V experienced several delays as a result of contractual disputes between Lil Wayne and Cash Money Records, as well as his numerous personal disputes with label-head, Birdman. Following a lengthy legal battle, Lil Wayne was confirmed to have been released from his contract with Cash Money in June 2018 and announced the release of the album in September. The album debuted at number one on the Billboard 200 with the second-largest streaming week for an album of all time.

Tha Carter V is the twelfth studio album by American rapper Lil Wayne. It was released on September 28, 2018 by Young Money Entertainment, Republic Records and Universal Music Group. The album's features include XXXTentacion, Travis Scott, Nicki Minaj, Kendrick Lamar, Snoop Dogg, Ashanti, Mack Maine and Nivea as well as uncredited vocals from Drake and 2 Chainz.
Originally planned to be released in 2014, Tha Carter V experienced several delays as a result of contractual disputes between Lil Wayne and Cash Money Records, as well as his numerous personal disputes with label-head, Birdman. Following a lengthy legal battle, Lil Wayne was confirmed to have been released from his contract with Cash Money in June 2018 and announced the release of the album in September. The album debuted at number one on the Billboard 200 with the second-largest streaming week for an album.

I Am Not A Human Being II (Deluxe)

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II (Deluxe)

I Am Not a Human Being II is the tenth studio album by American rapper Lil Wayne. It was released on March 22, 2013, by Young Money Entertainment, Cash Money Records and Republic Records. Recording sessions took place during 2008 to 2012, with Lil Wayne serving as the records executive producers, alongside Ronald "Slim" Williams and Birdman, who enlisted a wide variety of record producers such as Cool & Dre, Mike Will Made It, David Banner, T-Minus, Diplo, Juicy J and StreetRunner, among others. The album serves as the sequel to I Am Not a Human Being, incorporating the elements of these hip hop styles. The album was supported by three singles: "No Worries" featuring Detail, "Love Me" featuring Drake and Future, and "Rich As Fuck" featuring 2 Chainz; the latter of which peaked at numbers 29, 9 and 38 respectively, on the US Billboard Hot 100.
I Am Not a Human Being II was included as one of the multiples on "Most Anticipated Albums of 2013" lists. However, upon its release, the album received generally mixed reviews from music critics, who criticized its production and panned Wayne's lyrics.

I Am Not A Human Being II (Deluxe)

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II (Deluxe)

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

I Am Not A Human Being II

Compared to the albums he's released under the name "Tha Carter", Lil Wayne's I Am Not a Human Being series is noticeably looser. The quality control is certainly above mixtape or street-release level, but stray tracks and "Carter" leftovers are given their homes here, while the overall album flow is allowed to be reckless. Here, Weezy's wisecracking rebel songs get bunched together, coming off as redundant blasts of evil genius narcisswagger, where flaccid penises are "sleeping giants," codeine, promithazene, and weed are the recommended vitamins, and spending your birthday in jail ain't no biggie because the Playboy Mansion can always reschedule. In other words, he lives on this earth but this stopgap release's title is apt, and also believable, since Wayne's real world bio plays more like a comic book origin story, being raised by surrogate father Birdman in the halls of Cash Money. Bundle that background with stunning talent, true wit, and a John Holmes level of cocksure, and it doesn't matter that the bedroom-bragging "Curtains" is next to the conquest-listing "Days and Days," because the first has a rock-solid hook and pop-rap craftsmanship, while the second has a 2 Chainz feature and "You know I'm on that grass/Don't turn on the sprinkles" amongst its many quotables. 2 Chainz is back for more boasting on "Rich as Fuck," a winner with an enticing and eerie beat from T-Minus. Producer Mike WILL Made-It offers a posh and radio-friendly version of the traditional swagger track, covering the "good kush and alcohol" number "Love Me" in sounds so buttery smooth that hitmakers Drake and Future sound wonderfully couch-locked and comfortable. Brilliant single "My Homies Still" is only on the Deluxe version, in frustrating "it's not really an official, official album" fashion, and yet all this redundancy and the scattershot complaints become minor when the album breaks character and gives up surprising diversions like power-baller "Back to You" (rap-rock that really works), the raw, Dirty South winner "Wowzers" (diva Trina wants sex "till' daybreak, then you can go skate"), and the quite good political commentary sketchbook dubbed "God Bless Amerika" ("I saw a butterfly in hell" might not read well, but the way it's dropped in the song is superb). This is an indulgent jumble of a sideline release, but that doesn't mean Wayne isn't in fine form. He is, and anyone with four Carters already on their shelves will certainly want this one. [A clean version of the disc was also released.]

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