|Promises (Skrillex & Nero Remix)||Me And You|| |
|Promises||Welcome Reality|| |
|Doomsday||Welcome Reality|| |
|Me And You||Welcome Reality|| |
|The Thrill||The Thrill|| |
|Must Be The Feeling (Flux Pavilion & Nero Remix)||Must Be The Feeling|| |
|Innocence||Welcome Reality|| |
|My Eyes||Welcome Reality|| |
|Guilt||Welcome Reality|| |
Flux Pavilion has headlined three US tours, two UK tours, and several festival DJ sets, including Glastonbury, Reading, Coachella, and EDC Vegas. He has also made live performances with Example, Foreign Beggars and Chiddy Bang. Flux has listed his sound to be inspired by The Prodigy and Rusko.
Sub Focus’s second solo album, as yet untitled, will further propel him into the realms of both credible notoriety and mainstream success – no easy feat. With features from The Alpines, Jess Mills and Kele Okerere (for whom he engineered 2010’s The Hunter) initial reactions have been overwhelming. Debuted by Douwma during a guest mix for Mistajam’s Radio 1 show, first single Out The Blue, featuring Alice Gold, had 250,000 views on YouTube in just one week, and was played by every major Bass DJ you can mention. Mixing Vangelis-like synths with Gold’s captivating vocals, it’s a brilliantly paced, deftly constructed D&B smash that will propel the 29 year-old straight back into the charts.
Refusing to be stuck within one genre, Sub Focus has ventured far and wide around the world of dance music. If it has bass and a hard hitting hook, he’s on it. “In the early days when I got into dance music, people were very tribal about what they would and would not listen to, and coming out of that period has been refreshing,” he says. “I like writing different types of music, so I threw caution to the wind and started putting more varied tempo music out there and the response was great,” he says of songs that have ranged far and wide through the world of Dance music. “The whole scene is evolving and people are experimenting with different tempos much more now - branching out without fear of the stigma.” This is brilliantly reflected on the new album, which effortlessly balances Dubstep, D&B, 90s Jungle, 80s rave, Future Garage and even a steel pan symphony. “I like pulling threads from places that maybe aren't meant to go together,” he nods. “I’m quite a magpie in the way I look at music.”
While his music has huge mainstream potential, he’s wary of playing to the crowd purely for pop star status. Like his contemporaries Nero, Skream & Benga and Chase & Status, he strives to stay true to his musical roots. Wary of doing anything too obvious, he explores the line between being popular without trying to court the commercial. "Trying to strike that balance is one of my main goals - writing underground music with mass appeal."
Beginning his career in the Jungle scene after leaving behind his teenage indie band and being blown away by the Prodigy and Incredible by General Levy, Nick balanced his neophyte beatmaking career with Art & Design. After switching to Sound Engineering at London Met, Douwma dropped out to concentrate on music as he quickly found himself one of Drum & Bass’s leading players. X-Ray was the track that got him noticed, before his seminal remix of the Prodigy’s Smack My Bitch Up, which allowed him to tour throughout America, Europe and Japan. Signed to the legendary Ram Records, his debut self titled album solidified Sub Focus as a serious player in the world of Electronic music. Since then, as club music’s boundaries have altered, his creations have been supported by everyone from Skream to Andy C, Annie Mac to Jack Beats.
Late last year, Sub Focus signed a deal to license his second album to Mercury Records, which is due for release in late 2012. Like two of his key influences the Chemical Brothers and Daft Punk, Sub Focus is interested in pushing the boundaries of both the live and recorded experience. For his incredible new stage show he has had a series of exciting gizmos made such as motion sensors which enable him to trigger both sound and light by movement; it needs to be seen to be understood! Within his studio you can expect to see ten types of keyboards from a vintage Roland Juno to the latest Teenage Engineering synthesisers. “I'm very deep into the technical side of things,” he laughs. “With the live show I'm incorporating improvisation, but in an electronic way. I'm using motion sensors, keyboards and computers to play my tracks, all synchronised to a light show based around my disc logo. I want to take the ideas of visualising electronic performance that started with the likes of Jean Michel Jarre and Vangelis and push them a little bit further.”
This Summer saw Sub Focus perform at a host of major festivals, including Snowbombing, V Festival and Coachella. With the likes of Skrillex winning Grammys, when asked about the future of the industry, Douwma says 'It's a great time to be making this music as it really seems as if there are no limits to where it can go now."
Sub Focus’s second solo album, (as yet untitled), will further drive him into the realms of both credible notoriety and mainstream success – no easy feat. With features from The Alpines, Jess Mills and Kele Okereke (for whom he engineered 2010’s The Hunter) initial reactions have been overwhelming. Debuted by Douwma during a guest mix for Mistajam’s Radio 1 show, first single Out The Blue, featuring Alice Gold, has had close to a million views on YouTube and has been played by every major Bass DJ you can mention. Mixing Vangelis-like synths with Gold’s captivating vocals, it’s a brilliantly paced, deftly constructed D&B smash that propelled him back into the charts. The follow up single to be released from Sub Focus’ hotly anticipated sophomore album was Tidal Wave featuring Alpines, a stunning track, which hit the airwaves and shot straight to the No.12 spot on the Official UK Chart in early November 2012.
With the entire worlds increasing obsession with electronic music, the year 2013 looks very bright for this rising star of Drum & Bass.
In an interview, Doctor P stated that the "P" in his name stands for Picto, which is the alias he used when he produced drum & bass. Picto was a nickname his friends gave him.
In a February 2013 interview, Doctor P said that a Method Man collaboration would be coming on the next release, as well as a track with Eva Simons. "The Pit" was used in a trailer for the 2014 American comedy film Let's Be Cops.
Born and raised in Leicester, he soon discovered a talent for the production of electronic dance music and released his first EP, Blue, on 14 February 2011 whilst studying at Leeds University. He is co-owner of Inspected Records and, so far, has produced four EPs and a charity single for Movember with the label. His first single was released via Lifted Music's sister label, Breed12Inches. His second EP was released via Beta Recordings.
2 April 2013, he launched his Lonely Hearts series with the first edition of Fire Inside including vocals by Greta Svabo Bech and himself. He publishes the releases of these series on the basis of a limited edition. All the series are self-released.
He has featured heavily on BBC Radio 1's night time shows especially the likes of Zane Lowe, Nick Grimshaw and Annie Mac. He appeared in Radio 1's Festive Festival 2011 and also produced a minimix for BBC Radio 1Xtra's MistaJam. As of today, Slinger has a full-length album called Forevermore, expected to release 2015.
Will and Saul met in London through their mutual love of drum and bass in the mid nineties before later cementing their friendship by Dj’ing together at Manchester University. 2004 saw their first production, a remix for Future Cut which was followed by a series of drum and bass anthems for the biggest underground labels including ‘Duppy Man’ for Breakbeat Kaos and ‘The Druids’ EP for DJ Zinc’s trendsetting Bingo label. Despite a high volume of releases on Ram Records and constant DJ’ing around the world, Chase & Status managed to mastermind and release their debut album ‘More Than A Lot’ in 2008. Packed with the kind of drum and bass anthems that have helped build their reputation, it also features tracks which show the diversity of their work: such as ‘Pieces’ featuring Plan B and the Radio 1 A-List single ‘Against All Odds’ featuring Kano.
The album is a thrilling journey through the UK urban scene and truly deserves its title. One track from the album, ‘Eastern Jam’ was even spotted by Snoop Dogg who newly released it in April 2009 as ‘Snoop Dogg Millionaire’.
In 2009 Chase & Status began crafting their now renowned, live show, which they debuted at the BBC Radio 1 Big Weekend that year. Their live set up includes the legendary Andy Gangadeen on drums and enigmatic front man, Rage as their MC. The show features an exhilarating mixture of lighting, video and guest appearances from vocalists including Plan B and Tinie Tempah as well as rising stars Delilah, Liam Bailey, Maverick Sabre and Mali who all appear on ‘No More Idols’. The live show continues to draw in record attendances through two years of headline festival appearances, five sold out UK tours, three sold out European tours, two sold out US tours and repeated festival appearances across the globe from Coachella to Big Day Out, Ibiza Rocks to Summersonic in Japan.
Having signed both a major publishing deal with Universal Publishing and a major record deal with Vertigo / Mercury Records in 2009, the duo smashed straight into the Official UK Top 10 with single ‘End Credits’, their second collaboration with UK vocalist, Plan B which featured in the gritty British movie ‘Harry Brown’ starring Michael Caine. The video to this track would go on to win ‘Best Video’ at the 2010 Q Awards.
2010 saw Chase & Status next release ‘Let You Go’ Feat. Mali which undoubtedly became the anthem of the Summer festivals along with ‘Hypest Hype’ featuring grime artist Tempa T which was released as a free download. At the end of January 2011, Chase & Status released ‘Blind Faith’ feat. Liam Bailey, which entered the UK singles chart at No. 4, the bands’ highest charting single to date. One week later, their hotly anticipated second studio album ‘No More Idols’ was released and went flying straight into the No.2 spot on the UK Album Chart second only to Adele’s worldwide smash ‘21’.
Musically, ‘No More Idols’ sees Chase & Status move from the punk-like riffs of ‘Fire In Your Eyes’ featuring soulful vocalist Maverick Sabre to the hip-hop beats of ‘Hitz’ featuring Tinie Tempah via tracks with some of the hottest names in music such as Dizzee Rascal, Plan B, White Lies and Cee Lo Green who is the only non-British artist to feature on the album. Will and Saul kept the solidly British flare of the album alive through working with up and coming UK talent including Liam Bailey, Delilah and Clare Maguire to name but a few. Spring 2011 saw the release of the single ‘Time’ featuring the vocal talent of Delilah before ‘Hitz’ featuring Tinie Tempah was released later that year. The seventh single to be released from ‘No More Idols’ came in the form of their anthemic collaboration with Sub Focus on ‘Flashing Lights’.
Chase & Status became the biggest selling band in the UK in 2011 selling over 1 million singles in the UK. Their album ‘No More Idols’ did not leave the top 40 for 35 weeks and has now achieved double platinum status. Will and Saul began 2012 with a Brit Nomination for ‘Best British Group’, a true credit to their enormous success in the UK and an amazing recognition of drum and bass music by such a prestigious awards ceremony. Early 2012 also saw Will and Saul release their ‘Live at Brixton Academy’ DVD capturing their phenomenal live performance at the legendary venue on their last UK tour.
November 2012 saw the duo release festival favourite 'Big Man' featuring Liam Bailey on vocals as a free download and a thank you to fans for their support throughout the festival season. The track has since featured as Fearne Cotton's 'Big Thing' on BBC Radio 1.
The pair now head back into the studio to work on album number three after another busy summer of festivals, which saw them headlining Global Gathering, SW4 and many more festivals across the UK and Europe. For this dynamic duo, things can only get better in 2013.
While on tour promoting Pendulum's third album ‘Immersion’, Rob and Gareth felt the urge to start a new project with the aim of showcasing ideas which didn’t fit into the Pendulum mould, and decided to name themselves after their favourite Deftones song.
Taking inspiration from a number of different genres, Knife Party are focusing their attention on everything except straight-up drum and bass. They are influenced by electro house, dubstep, moombahton / 110, drumstep and much more - however, they file it all under the singular banner of ‘seizure music’.
Their first ever show was headlining BBC Radio 1's ‘Come Together’ event at Space, Ibiza in August 2011. The crowd had never heard of them, and it was the first time that anyone (including their manager) had heard the music - yet their performance won over the crowd within minutes. Their set was broadcast live on Radio 1 and can now be found all over the Internet, with ‘Internet Friends’ becoming a viral hit overnight.
Since their first show in Ibiza, Knife Party have headlined Trilogy Part 2 in Leeds, the Warehouse Project in Manchester and supported Skrillex on select dates on his ‘Mothership’ Tour of North America.
Knife Party have already done a number of high profile remixes to date, including Swedish House Mafia – ‘Save The World’, Porter Robinson – ‘Unsion’ and Nero – ‘Crush’ as well as a huge collaboration with Swedish House Mafia entitled ‘Antidote’.
With just a few releases to their name to date, the duo’s list of achievements is phenomenal. They have already racked up 500,000 downloads of their first EP ‘100% No Modern Talking’, a Beatport number 1, close to 350,000 Facebook fans, 7 million plays of ‘Internet Friends’ on YouTube alone, and appearances headlining shows and festivals to crowds of tens of thousands. Remixing Porter Robinson, Labrinth and Nero to name a few, Knife Party also collaborated with Swedish House Mafia on the phenomenal 2012 worldwide smash ‘Antidote’. From curating their own Earstorm stage at Future Music Festival in their native Australia to playing the main stage at Ultra in Miami, opening brand new 75,000 square foot club Brooklyn Terminal Project in New York, to festival sets across Europe this Summer, the Knife Party movement is both viral and global.
The rate of Knife Party’s ascension to the forefront of a burgeoning electronic music movement is unparalleled. In less than twelve months the whirlwind project has rocketed from an unknown entity into one of the most renowned dance acts in the world. And with the release of their highly anticipated follow up EP ‘Rage Valley’, the Knife Party phenomenon is set to continue apace.
Amalgamating a wide breadth of influences into their visceral productions, Knife Party is a heady cocktail of sounds that rips apart dubstep, electro, drum and bass and moombahton and fuses them back together into ferocious club tracks. This energy and excitement is wholly evident in the four tracks that make up ‘Rage Valley’. Their single Bonfire has lit up dance floors since it’s release with widespread radio play and both underground and mainstream recognition and the follow up single Centipede with it’s enthralling and brutal music video looks set to do the same.
Autumn 2012 saw Knife Party embark on The Haunted House Tour, which took the US by storm. They brought monstrous beats, bass and extraordinary production to a host of infamous venues across the country. Not forgetting their resident country, in November 2012 they graced the cover of Mixmag in the UK and performed at their cover party in London as celebration. Following this they hit Asia and played at festivals in New Zealand and Australia to close what had been a hugely successful and action-packed year for Knife Party.
The forthcoming year will see them continue touring throughout the US where their popularity is unfounded and throughout Europe, where their inimitably chaotic and razor sharp productions are exciting the masses. By the beginning of 2013 they will climb aboard the ‘Holy Ship!!’ concert tour in the Bahamas - a three night cruise featuring the top DJ's in the world performing multiple shows in five intimate venues on one incredible, epic voyage.
With this and much more to come, there is no doubt Knife Party will continue full steam ahead in 2013, unrelenting and delighting all with their infamous ‘seizure music’...
The name itself presents a terrifying image - a mangled, forced extraction, quite literally “removal by cutting”. It should come as no surprise that the sounds behind this name are just as filthy, brutal, and unforgiving as the namesake suggests.
Excision shows are like no other - a virtual apocalypse of twisting and morphing sounds turn massive crowds into a frenzy, as virtual walls of bass are relentlessly impaled time and time again upon their fragile bodies and ears. Your ears will ring and your eyes will roll into the back of your head as you are suspended in what can only be called a true sensory overload. Bass will rain down from above for hours as Excision’s skills as a DJ and producer shine like an unholy light from the underworld.
The true champion of bass music, Excision hails from Kelowna, British Columbia. The founder of the ROTTUN label, a bass music conglomerate that has shaped the sound of modern Bass music, Excision has created a vast roster of allies that has only bolstered his spot as a warrior of bass music. Armed with a library of destruction and filth, Excision has time and time again tested the limits of electronic music with vastly different sets that encompass a full range of genres. The things you see and hear during the precious time you are engaged by Excision’s sounds will eclipse your mind for a lifetime, as you are constantly enlightened by the true fervor and energy that only an Excision set can provide.